Hostaged to the Voice of the Other: Beckett's Play and Not I.
In his later theatre works, Beckett denudes language of the physical body in order to spotlight the singularity of the voice. Reduced to heads and mouths in Play and Not I, Beckett’s figures utter their despair and confusion with visceral gusto, yet there is no interiority to ground their pain. As t...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2011-06-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/1909 |