Fotografia e infrasottile
According to the author, the Duchampian notion of “inframince” puts photography, its status as well as its artistic use, to the test of its relationship with reality. Far from its documentary function, it is confronted with ultrathin differences, both phenomenal and conceptual, which substantially c...
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| Language: | English |
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Firenze University Press
2018-11-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/964 |
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doaj-f370230b1e2345ccae9be538e44b00b52020-11-25T01:39:58ZengFirenze University PressAisthesis2035-84662018-11-01112Fotografia e infrasottileElio Grazioli0Università degli Studi di BergamoAccording to the author, the Duchampian notion of “inframince” puts photography, its status as well as its artistic use, to the test of its relationship with reality. Far from its documentary function, it is confronted with ultrathin differences, both phenomenal and conceptual, which substantially change the conception of the reality of which it is an image: “thing” (Ding), real (Lacanian), object a (Lacanian), simulacrum or other? The text introduces these problems and opens the vision of the image to multiple horizons from this point of view. https://oajournals.fupress.net/index.php/aisthesis/article/view/964photographyinframince |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Elio Grazioli |
| spellingShingle |
Elio Grazioli Fotografia e infrasottile Aisthesis photography inframince |
| author_facet |
Elio Grazioli |
| author_sort |
Elio Grazioli |
| title |
Fotografia e infrasottile |
| title_short |
Fotografia e infrasottile |
| title_full |
Fotografia e infrasottile |
| title_fullStr |
Fotografia e infrasottile |
| title_full_unstemmed |
Fotografia e infrasottile |
| title_sort |
fotografia e infrasottile |
| publisher |
Firenze University Press |
| series |
Aisthesis |
| issn |
2035-8466 |
| publishDate |
2018-11-01 |
| description |
According to the author, the Duchampian notion of “inframince” puts photography, its status as well as its artistic use, to the test of its relationship with reality. Far from its documentary function, it is confronted with ultrathin differences, both phenomenal and conceptual, which substantially change the conception of the reality of which it is an image: “thing” (Ding), real (Lacanian), object a (Lacanian), simulacrum or other? The text introduces these problems and opens the vision of the image to multiple horizons from this point of view.
|
| topic |
photography inframince |
| url |
https://oajournals.fupress.net/index.php/aisthesis/article/view/964 |
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AT eliograzioli fotografiaeinfrasottile |
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