Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)

Bibliographic Details
Main Author:	Dennis TREDY
Format:	Article
Language:	English
Published:	Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2005-10-01
Series:	E-REA
Online Access:	http://journals.openedition.org/erea/550

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spelling	doaj-f30d9687663b455493a46abfa2e6f6c32020-11-24T23:12:03ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182005-10-01310.4000/erea.550Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)Dennis TREDYhttp://journals.openedition.org/erea/550
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Dennis TREDY
spellingShingle	Dennis TREDY Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999) E-REA
author_facet	Dennis TREDY
author_sort	Dennis TREDY
title	Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)
title_short	Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)
title_full	Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)
title_fullStr	Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)
title_full_unstemmed	Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)
title_sort	shadows of shadows - techniques of ambiguity in three film adaptations of “the turn of the screw”: j. clayton’s the innocents (1961), d. curtis’s the turn of the screw (1974), and a. aloy’s presence of mind (1999)
publisher	Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
series	E-REA
issn	1638-1718
publishDate	2005-10-01
url	http://journals.openedition.org/erea/550
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Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of “The Turn of the Screw”: J. Clayton’s The Innocents (1961), D. Curtis’s The Turn of the Screw (1974), and A. Aloy’s Presence of Mind (1999)

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