Imaginaire et différ(a)nce : générateurs de paysages

This article reflects on the need to restore confidence in the ability of the professions engaged in observing and designing the landscape to prefigure and reinvent landscapes by using imagination among other things, and on the need to recognise the ability to master the tools for representing reali...

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Main Author: Rita Occhiuto
Format: Article
Language:fra
Published: Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille 2016-09-01
Series:Projets de Paysage
Subjects:
Online Access:http://journals.openedition.org/paysage/8388
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spelling doaj-f2f40b0cdff0477d991944be75ee2fa52021-07-08T16:38:17ZfraAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LilleProjets de Paysage1969-61242016-09-011410.4000/paysage.8388Imaginaire et différ(a)nce : générateurs de paysagesRita OcchiutoThis article reflects on the need to restore confidence in the ability of the professions engaged in observing and designing the landscape to prefigure and reinvent landscapes by using imagination among other things, and on the need to recognise the ability to master the tools for representing reality in landscape design. Imagination, combined with the aptitude for detailed observation, is based on the capacity to read, understand and interpret the geographic forms and their continuous transformations due to the actions of nature and man (European Landscape Convention). Expressed in the forms of lines, outlines and incisions, this action marks sites, like a form of writing requiring a physical and mental engagement in situ. Thus emerge narratives and experiences producing images/drawings which convey characters, languages and tensions and constitute the creative and innovative force of landscape projects which consider what exists as a field of forces in action – therefore a territory in movement. Our assumption is that the project produces a different or deferred meaning, a différ(a)nce, a textual composition with a double structure : "trace-gap", "residual and dynamic", "retentive and subject to propensity", (Jacques Derrida), linked to the past (trace) and projecting into the future through a distance or distancing (gap).http://journals.openedition.org/paysage/8388writing in situgeomorphologyprojecting movementtrace-gapengagement-distance
collection DOAJ
language fra
format Article
sources DOAJ
author Rita Occhiuto
spellingShingle Rita Occhiuto
Imaginaire et différ(a)nce : générateurs de paysages
Projets de Paysage
writing in situ
geomorphology
projecting movement
trace-gap
engagement-distance
author_facet Rita Occhiuto
author_sort Rita Occhiuto
title Imaginaire et différ(a)nce : générateurs de paysages
title_short Imaginaire et différ(a)nce : générateurs de paysages
title_full Imaginaire et différ(a)nce : générateurs de paysages
title_fullStr Imaginaire et différ(a)nce : générateurs de paysages
title_full_unstemmed Imaginaire et différ(a)nce : générateurs de paysages
title_sort imaginaire et différ(a)nce : générateurs de paysages
publisher Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
series Projets de Paysage
issn 1969-6124
publishDate 2016-09-01
description This article reflects on the need to restore confidence in the ability of the professions engaged in observing and designing the landscape to prefigure and reinvent landscapes by using imagination among other things, and on the need to recognise the ability to master the tools for representing reality in landscape design. Imagination, combined with the aptitude for detailed observation, is based on the capacity to read, understand and interpret the geographic forms and their continuous transformations due to the actions of nature and man (European Landscape Convention). Expressed in the forms of lines, outlines and incisions, this action marks sites, like a form of writing requiring a physical and mental engagement in situ. Thus emerge narratives and experiences producing images/drawings which convey characters, languages and tensions and constitute the creative and innovative force of landscape projects which consider what exists as a field of forces in action – therefore a territory in movement. Our assumption is that the project produces a different or deferred meaning, a différ(a)nce, a textual composition with a double structure : "trace-gap", "residual and dynamic", "retentive and subject to propensity", (Jacques Derrida), linked to the past (trace) and projecting into the future through a distance or distancing (gap).
topic writing in situ
geomorphology
projecting movement
trace-gap
engagement-distance
url http://journals.openedition.org/paysage/8388
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