‟The Power of the Stone” in P. Bazhov’s Tales

The article discusses ‟the power of stone” in the tales by P. P. Bazhov on the example of iconic stones of the Ural lytic culture: malachite, emerald, chrysolite. Using the method of cultural-historical, ideological-figurative and symbolic-contextual analysis, the author examines the history of the...

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Main Author: Yang Yubing
Format: Article
Language:Russian
Published: Transbaikal State University 2021-02-01
Series: Гуманитарный вектор
Subjects:
Online Access:http://zabvektor.com/wp-content/uploads/010321040316-Jan%20Jujbin.pdf
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spelling doaj-f2edddac3e334a3cb31d8f88dc32559d2021-06-04T12:15:37ZrusTransbaikal State University Гуманитарный вектор 1996-78532542-00382021-02-011618391 10.21209/1996-7853-2021-16-1-83-91‟The Power of the Stone” in P. Bazhov’s TalesYang Yubing0https://orcid.org/0000-0002-6499-1267Ural Federal University named after the first President of Russia B. N. YeltsinThe article discusses ‟the power of stone” in the tales by P. P. Bazhov on the example of iconic stones of the Ural lytic culture: malachite, emerald, chrysolite. Using the method of cultural-historical, ideological-figurative and symbolic-contextual analysis, the author examines the history of the discovery of the stone riches of the Urals, the place of lytic discourse in the world of Bazhov’s tales, as well as the specific symbolism of gemstones (malachite, copper emerald, chrysolite) in the writer’s fantastic work. This is the relevance of the study. The author of the work proves the ambivalent nature of malachite as the main stone of the Ural mountains, symbolizing the beauty of the Mistress-Malachite, copper emerald, embodying the absolute power of the “stone force”, embodying the secret wealth of the mountains, inaccessible to ordinary mortals, like the secret of the stone flower. The third stone that embodies the lytic power of the Ural Mountains is the Bazhov chrysolite. The article consistently examines the evolution of Bazhov’s “iconic” stones in the writer’s artistic world during the transition from fairy tales depicting the pre-revolutionary life of the Urals to fairy tales depicting the realities of the revolutionary and Soviet Urals. It can be said that by depicting the evolution of the “stone power” of the main Ural gems, Bazhov prepared the ground for depicting the lytic discourse of the tales of the new Urals. In these tales, along with real stones, such as the eagle stone from the tale Eagle feather or “sun stone” ‒ plagioclase from the same tale, mystical and semi ‒ mystical stones will be used: “at all simple, on five faces” stone key of the earth (the fairy tale Key of the Earth, “patient stone” (the fairy tale Distant little body). The article will be of interest to all humanitarians working with the symbolism of stones in Russian literature of the XIX–XX centuries.http://zabvektor.com/wp-content/uploads/010321040316-Jan%20Jujbin.pdfp. p. bazhovtales“power of stone”malachiteemerald
collection DOAJ
language Russian
format Article
sources DOAJ
author Yang Yubing
spellingShingle Yang Yubing
‟The Power of the Stone” in P. Bazhov’s Tales
Гуманитарный вектор
p. p. bazhov
tales
“power of stone”
malachite
emerald
author_facet Yang Yubing
author_sort Yang Yubing
title ‟The Power of the Stone” in P. Bazhov’s Tales
title_short ‟The Power of the Stone” in P. Bazhov’s Tales
title_full ‟The Power of the Stone” in P. Bazhov’s Tales
title_fullStr ‟The Power of the Stone” in P. Bazhov’s Tales
title_full_unstemmed ‟The Power of the Stone” in P. Bazhov’s Tales
title_sort ‟the power of the stone” in p. bazhov’s tales
publisher Transbaikal State University
series Гуманитарный вектор
issn 1996-7853
2542-0038
publishDate 2021-02-01
description The article discusses ‟the power of stone” in the tales by P. P. Bazhov on the example of iconic stones of the Ural lytic culture: malachite, emerald, chrysolite. Using the method of cultural-historical, ideological-figurative and symbolic-contextual analysis, the author examines the history of the discovery of the stone riches of the Urals, the place of lytic discourse in the world of Bazhov’s tales, as well as the specific symbolism of gemstones (malachite, copper emerald, chrysolite) in the writer’s fantastic work. This is the relevance of the study. The author of the work proves the ambivalent nature of malachite as the main stone of the Ural mountains, symbolizing the beauty of the Mistress-Malachite, copper emerald, embodying the absolute power of the “stone force”, embodying the secret wealth of the mountains, inaccessible to ordinary mortals, like the secret of the stone flower. The third stone that embodies the lytic power of the Ural Mountains is the Bazhov chrysolite. The article consistently examines the evolution of Bazhov’s “iconic” stones in the writer’s artistic world during the transition from fairy tales depicting the pre-revolutionary life of the Urals to fairy tales depicting the realities of the revolutionary and Soviet Urals. It can be said that by depicting the evolution of the “stone power” of the main Ural gems, Bazhov prepared the ground for depicting the lytic discourse of the tales of the new Urals. In these tales, along with real stones, such as the eagle stone from the tale Eagle feather or “sun stone” ‒ plagioclase from the same tale, mystical and semi ‒ mystical stones will be used: “at all simple, on five faces” stone key of the earth (the fairy tale Key of the Earth, “patient stone” (the fairy tale Distant little body). The article will be of interest to all humanitarians working with the symbolism of stones in Russian literature of the XIX–XX centuries.
topic p. p. bazhov
tales
“power of stone”
malachite
emerald
url http://zabvektor.com/wp-content/uploads/010321040316-Jan%20Jujbin.pdf
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