Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei

The article studies the editorial series called “Historia Imperii Mediterranei” (HIM) that was directed by Lauro Mainardi, an official of the National Fascist Party, in cooperation with the Armenian Committee of Italy. Between 1939 and 1941, the HIM published a series of booklets entitled Armenia...

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Main Author: Riccioni, Stefano
Format: Article
Language:English
Published: Edizioni Ca’ Foscari 2018-12-01
Series:Venezia Arti
Subjects:
Online Access:http://edizionicafoscari.unive.it/riviste/venezia-arti/2018/27/armenian-art-and-culture-from-the-pages-of-the-his/
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spelling doaj-f2519767cace41e4b3b2abf7371eed502021-06-02T02:24:29ZengEdizioni Ca’ FoscariVenezia Arti2385-27202018-12-01272710.30687/VA/2385-2720/2018/27/007journal_article_1602Armenian Art and Culture from the Pages of the Historia Imperii MediterraneiRiccioni, Stefano0Università Ca’ Foscari Venezia, Italia The article studies the editorial series called “Historia Imperii Mediterranei” (HIM) that was directed by Lauro Mainardi, an official of the National Fascist Party, in cooperation with the Armenian Committee of Italy. Between 1939 and 1941, the HIM published a series of booklets entitled Armenia that contained not only articles on Armenia but also “essays on Oriental culture”. According to Mainardi, the HIM had a wide cultural interest in art and architecture but also in literature, poetry, philosophy, and politics. The series published two significant essays: the article by Josef Strzygowski, where he innovatively affirmed the role of the East in Christian art and where he employed “Aryan” racial theory; and Giuseppe Frasson’s article, which shows that Strzygowski was recognised as an innovator but, at the same time, that Byzantine studies in Italy were confined to the nationalistic purpose of affirming ‘Italian’ elements in Roman art. In conclusion, the HIM illustrates the political and cultural strategy of the Fascist party with respect to the Caucasian question in addition to its support of the strategy of the Armenian Committee of Italy for protecting Armenians in Italy before the Second World War. http://edizionicafoscari.unive.it/riviste/venezia-arti/2018/27/armenian-art-and-culture-from-the-pages-of-the-his/Historia Imperii Mediterranei (HIM). Armenian architecture. Armenian art. Armenian culture. Italian Fascist culture. Italian artistic historiography. Lauro Mainardi. Josef Strzygowski. Giuseppe Frasson.
collection DOAJ
language English
format Article
sources DOAJ
author Riccioni, Stefano
spellingShingle Riccioni, Stefano
Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
Venezia Arti
Historia Imperii Mediterranei (HIM). Armenian architecture. Armenian art. Armenian culture. Italian Fascist culture. Italian artistic historiography. Lauro Mainardi. Josef Strzygowski. Giuseppe Frasson.
author_facet Riccioni, Stefano
author_sort Riccioni, Stefano
title Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
title_short Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
title_full Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
title_fullStr Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
title_full_unstemmed Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei
title_sort armenian art and culture from the pages of the historia imperii mediterranei
publisher Edizioni Ca’ Foscari
series Venezia Arti
issn 2385-2720
publishDate 2018-12-01
description The article studies the editorial series called “Historia Imperii Mediterranei” (HIM) that was directed by Lauro Mainardi, an official of the National Fascist Party, in cooperation with the Armenian Committee of Italy. Between 1939 and 1941, the HIM published a series of booklets entitled Armenia that contained not only articles on Armenia but also “essays on Oriental culture”. According to Mainardi, the HIM had a wide cultural interest in art and architecture but also in literature, poetry, philosophy, and politics. The series published two significant essays: the article by Josef Strzygowski, where he innovatively affirmed the role of the East in Christian art and where he employed “Aryan” racial theory; and Giuseppe Frasson’s article, which shows that Strzygowski was recognised as an innovator but, at the same time, that Byzantine studies in Italy were confined to the nationalistic purpose of affirming ‘Italian’ elements in Roman art. In conclusion, the HIM illustrates the political and cultural strategy of the Fascist party with respect to the Caucasian question in addition to its support of the strategy of the Armenian Committee of Italy for protecting Armenians in Italy before the Second World War.
topic Historia Imperii Mediterranei (HIM). Armenian architecture. Armenian art. Armenian culture. Italian Fascist culture. Italian artistic historiography. Lauro Mainardi. Josef Strzygowski. Giuseppe Frasson.
url http://edizionicafoscari.unive.it/riviste/venezia-arti/2018/27/armenian-art-and-culture-from-the-pages-of-the-his/
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