Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
This paper examines the role of the -val-/-lav- phonological sequences which create the semantic centre of the Don Juan theme in world literature and parallel folk texts, and concentrates on the Stone Guest by Pushkin. The phonological equivalence of the Spanish cavalera/cavallero, and Buslaevic/gol...
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University of Trieste, University of Ljubljana, University of Konstanz
1994-01-01
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Online Access: | http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf |
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doaj-f1f1cb43807a46af9d04f413d50b7ff32020-11-25T03:58:19ZengUniversity of Trieste, University of Ljubljana, University of KonstanzSlavica TerGestina1592-02911994-01-01Slavica Tergestina 2Studia russica720Об одной фонической секвенции в <i>Каменном госте</i> ПушкинаZoltán HermannThis paper examines the role of the -val-/-lav- phonological sequences which create the semantic centre of the Don Juan theme in world literature and parallel folk texts, and concentrates on the Stone Guest by Pushkin. The phonological equivalence of the Spanish cavalera/cavallero, and Buslaevic/golova/valjatisja in the Russian bylina is the most important line generating semantic and dramaturgic constructions. The sequential structure of the text accomplishes the motif of punishment/forgiveness in the relations of the three main characters (Don Juan=Diego de Calvado, Dona Anna de Solva, Don Alvar) and in the author’s final instruction the sequences collapse (provalivajutsja).http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Zoltán Hermann |
spellingShingle |
Zoltán Hermann Об одной фонической секвенции в <i>Каменном госте</i> Пушкина Slavica TerGestina |
author_facet |
Zoltán Hermann |
author_sort |
Zoltán Hermann |
title |
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина |
title_short |
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина |
title_full |
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина |
title_fullStr |
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина |
title_full_unstemmed |
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина |
title_sort |
об одной фонической секвенции в <i>каменном госте</i> пушкина |
publisher |
University of Trieste, University of Ljubljana, University of Konstanz |
series |
Slavica TerGestina |
issn |
1592-0291 |
publishDate |
1994-01-01 |
description |
This paper examines the role of the -val-/-lav- phonological sequences
which create the semantic centre of the Don Juan theme in world
literature and parallel folk texts, and concentrates on the Stone Guest by
Pushkin. The phonological equivalence of the Spanish
cavalera/cavallero, and Buslaevic/golova/valjatisja in the Russian
bylina is the most important line generating semantic and dramaturgic
constructions. The sequential structure of the text accomplishes the
motif of punishment/forgiveness in the relations of the three main
characters (Don Juan=Diego de Calvado, Dona Anna de Solva, Don
Alvar) and in the author’s final instruction the sequences collapse
(provalivajutsja). |
url |
http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf |
work_keys_str_mv |
AT zoltanhermann obodnojfoničeskojsekvenciivikamennomgosteipuškina |
_version_ |
1724457922838134784 |