Об одной фонической секвенции в <i>Каменном госте</i> Пушкина

This paper examines the role of the -val-/-lav- phonological sequences which create the semantic centre of the Don Juan theme in world literature and parallel folk texts, and concentrates on the Stone Guest by Pushkin. The phonological equivalence of the Spanish cavalera/cavallero, and Buslaevic/gol...

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Main Author: Zoltán Hermann
Format: Article
Language:English
Published: University of Trieste, University of Ljubljana, University of Konstanz 1994-01-01
Series:Slavica TerGestina
Online Access:http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf
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spelling doaj-f1f1cb43807a46af9d04f413d50b7ff32020-11-25T03:58:19ZengUniversity of Trieste, University of Ljubljana, University of KonstanzSlavica TerGestina1592-02911994-01-01Slavica Tergestina 2Studia russica720Об одной фонической секвенции в <i>Каменном госте</i> ПушкинаZoltán HermannThis paper examines the role of the -val-/-lav- phonological sequences which create the semantic centre of the Don Juan theme in world literature and parallel folk texts, and concentrates on the Stone Guest by Pushkin. The phonological equivalence of the Spanish cavalera/cavallero, and Buslaevic/golova/valjatisja in the Russian bylina is the most important line generating semantic and dramaturgic constructions. The sequential structure of the text accomplishes the motif of punishment/forgiveness in the relations of the three main characters (Don Juan=Diego de Calvado, Dona Anna de Solva, Don Alvar) and in the author’s final instruction the sequences collapse (provalivajutsja).http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Zoltán Hermann
spellingShingle Zoltán Hermann
Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
Slavica TerGestina
author_facet Zoltán Hermann
author_sort Zoltán Hermann
title Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
title_short Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
title_full Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
title_fullStr Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
title_full_unstemmed Об одной фонической секвенции в <i>Каменном госте</i> Пушкина
title_sort об одной фонической секвенции в <i>каменном госте</i> пушкина
publisher University of Trieste, University of Ljubljana, University of Konstanz
series Slavica TerGestina
issn 1592-0291
publishDate 1994-01-01
description This paper examines the role of the -val-/-lav- phonological sequences which create the semantic centre of the Don Juan theme in world literature and parallel folk texts, and concentrates on the Stone Guest by Pushkin. The phonological equivalence of the Spanish cavalera/cavallero, and Buslaevic/golova/valjatisja in the Russian bylina is the most important line generating semantic and dramaturgic constructions. The sequential structure of the text accomplishes the motif of punishment/forgiveness in the relations of the three main characters (Don Juan=Diego de Calvado, Dona Anna de Solva, Don Alvar) and in the author’s final instruction the sequences collapse (provalivajutsja).
url http://www.openstarts.units.it/dspace/bitstream/10077/3943/1/Hermann%20Slavica%2002.pdf
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