L’opera musicale fra oralità, scrittura e fonografia

L’opera musicale fra oralità, scrittura e fonografia

Show other versions (1)

Technical reproducibility and recording have had important consequences on the production of musical works. The ontological identity and aesthetic functioning of the latter are explained in this article in the light of three main ways of organisation of musical cultures: oral, written, and phonogra...

Full description

Bibliographic Details
Main Author: Alessandro Arbo
Format: Article
Language:English
Published: Firenze University Press 2014-02-01
Series:Aisthesis
Subjects:
musical work
phonography
ontological identity
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/811
id doaj-f152999c3fa94457b10bebdd7967ac6d
record_format Article
spelling doaj-f152999c3fa94457b10bebdd7967ac6d2020-11-25T02:34:11ZengFirenze University PressAisthesis2035-84662014-02-0163L’opera musicale fra oralità, scrittura e fonografiaAlessandro Arbo Technical reproducibility and recording have had important consequences on the production of musical works. The ontological identity and aesthetic functioning of the latter are explained in this article in the light of three main ways of organisation of musical cultures: oral, written, and phonographic. A solution to the difficulties and the conceptual conflicts arising from their overlap is identified in the analysis of the contexts of production and reception of the different devices. https://oajournals.fupress.net/index.php/aisthesis/article/view/811musical workphonographyontological identity
collection DOAJ
language English
format Article
sources DOAJ
author Alessandro Arbo
spellingShingle Alessandro Arbo
L’opera musicale fra oralità, scrittura e fonografia
Aisthesis
musical work
phonography
ontological identity
author_facet Alessandro Arbo
author_sort Alessandro Arbo
title L’opera musicale fra oralità, scrittura e fonografia
title_short L’opera musicale fra oralità, scrittura e fonografia
title_full L’opera musicale fra oralità, scrittura e fonografia
title_fullStr L’opera musicale fra oralità, scrittura e fonografia
title_full_unstemmed L’opera musicale fra oralità, scrittura e fonografia
title_sort l’opera musicale fra oralità, scrittura e fonografia
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2014-02-01
description Technical reproducibility and recording have had important consequences on the production of musical works. The ontological identity and aesthetic functioning of the latter are explained in this article in the light of three main ways of organisation of musical cultures: oral, written, and phonographic. A solution to the difficulties and the conceptual conflicts arising from their overlap is identified in the analysis of the contexts of production and reception of the different devices.
topic musical work
phonography
ontological identity
url https://oajournals.fupress.net/index.php/aisthesis/article/view/811
work_keys_str_mv AT alessandroarbo loperamusicalefraoralitascritturaefonografia
_version_ 1724809701023023104

Similar Items