Trees’ Deep Incarnation

In a context of ecological calling forth, with regard both to human impacts on other kind and the agency of more than humans, this essay situates firs and their active relation to appeal/prayer in Peter Larkin's 'praying // firs \\ attenuate' in the contexts of: biblical trees, Ming d...

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Main Author: Anne Frances Elvey
Format: Article
Language:English
Published: Open Library of Humanities 2020-09-01
Series:Journal of British and Irish Innovative Poetry
Subjects:
Online Access:https://poetry.openlibhums.org/article/id/1348/
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spelling doaj-f0daec04ce5b4dc7b510f2a86b22687a2021-06-17T14:52:54ZengOpen Library of HumanitiesJournal of British and Irish Innovative Poetry1758-972X2020-09-0112110.16995/bip.1348Trees’ Deep IncarnationAnne Frances Elvey0University of Divinity and Monash UniversityIn a context of ecological calling forth, with regard both to human impacts on other kind and the agency of more than humans, this essay situates firs and their active relation to appeal/prayer in Peter Larkin's 'praying // firs \\ attenuate' in the contexts of: biblical trees, Ming dynasty artist Shen Zhou's 'Night Vigil',and plantation firs. The essay, then, describes firs' participation in the non-binary, indeterminate process of call-response at play in the poem,especially through Larkin's trope of scarcity-gift. The ecotheological concept of 'deep incarnation', particularly as it relates to the cross, offers a way of approaching this concept of scarcity-gift and, moreover, opens to an ecological night of the soul, which rather than 'dark' could be described as 'a green night of the soul'. Larkin's poem offers an uncanny engagement in this 'night' through inviting the reader into a 'cloud of unknowing' with respect to both fir and writing. In this process of invitation a reader finds herself called forth to a mode of attentiveness. This attention extends beyond the immediate but necessarily distant firs of the poem. By way of conclusion, the author marks her own being called forth by Larkin's 'praying // firs \\ attenuate', to attend to local trees in writing.Publisher's note: This article was originally published referring to the title of Peter Larkin's poem as 'praying firs // \\ attentuate', which has now been corrected.https://poetry.openlibhums.org/article/id/1348/cloud of unknowingdeep incarnationprayertreesfirsPeter Larkin
collection DOAJ
language English
format Article
sources DOAJ
author Anne Frances Elvey
spellingShingle Anne Frances Elvey
Trees’ Deep Incarnation
Journal of British and Irish Innovative Poetry
cloud of unknowing
deep incarnation
prayer
trees
firs
Peter Larkin
author_facet Anne Frances Elvey
author_sort Anne Frances Elvey
title Trees’ Deep Incarnation
title_short Trees’ Deep Incarnation
title_full Trees’ Deep Incarnation
title_fullStr Trees’ Deep Incarnation
title_full_unstemmed Trees’ Deep Incarnation
title_sort trees’ deep incarnation
publisher Open Library of Humanities
series Journal of British and Irish Innovative Poetry
issn 1758-972X
publishDate 2020-09-01
description In a context of ecological calling forth, with regard both to human impacts on other kind and the agency of more than humans, this essay situates firs and their active relation to appeal/prayer in Peter Larkin's 'praying // firs \\ attenuate' in the contexts of: biblical trees, Ming dynasty artist Shen Zhou's 'Night Vigil',and plantation firs. The essay, then, describes firs' participation in the non-binary, indeterminate process of call-response at play in the poem,especially through Larkin's trope of scarcity-gift. The ecotheological concept of 'deep incarnation', particularly as it relates to the cross, offers a way of approaching this concept of scarcity-gift and, moreover, opens to an ecological night of the soul, which rather than 'dark' could be described as 'a green night of the soul'. Larkin's poem offers an uncanny engagement in this 'night' through inviting the reader into a 'cloud of unknowing' with respect to both fir and writing. In this process of invitation a reader finds herself called forth to a mode of attentiveness. This attention extends beyond the immediate but necessarily distant firs of the poem. By way of conclusion, the author marks her own being called forth by Larkin's 'praying // firs \\ attenuate', to attend to local trees in writing.Publisher's note: This article was originally published referring to the title of Peter Larkin's poem as 'praying firs // \\ attentuate', which has now been corrected.
topic cloud of unknowing
deep incarnation
prayer
trees
firs
Peter Larkin
url https://poetry.openlibhums.org/article/id/1348/
work_keys_str_mv AT annefranceselvey treesdeepincarnation
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