Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3

In this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879–1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation. He bases this differentiation on two possible attitudes that a...

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Main Author: Roman Dykast
Format: Article
Language:English
Published: Helsinki University Press 2010-05-01
Series:Estetika
Online Access:https://estetikajournal.org/articles/65
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spelling doaj-f02f0d72cb874c4bbc19d013056d68e52020-11-25T02:50:43ZengHelsinki University PressEstetika 2571-09152010-05-01471719510.33134/eeja.6555Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3Roman Dykast0Music Faculty of the Academy of Performing ArtsIn this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879–1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation. He bases this differentiation on two possible attitudes that a perceiver may have towards a work of art. The first originates solely in the perceiver’s experience of the work and his or her search for a feeling of pleasure. It reflects only the subjective preferences of the individual; Zich terms the corresponding value ‘relative aesthetic value’. Above the relative value of an emotional effect there is an evaluation of a higher order, which consists in ‘comprehending’ a work of art. It is to this evaluation that artistic value corresponds. According to Zich, however, this objective value is grounded not in the work itself, but in the distinctive ‘personal value’ of the artist. In artistic evaluation, the work of art is therefore evaluated as a manifestation of strong artistic individuality. The first part of the article was published in the previous issue.https://estetikajournal.org/articles/65
collection DOAJ
language English
format Article
sources DOAJ
author Roman Dykast
spellingShingle Roman Dykast
Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
Estetika
author_facet Roman Dykast
author_sort Roman Dykast
title Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
title_short Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
title_full Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
title_fullStr Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
title_full_unstemmed Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3
title_sort otakar zich: aesthetic and artistic evaluation, parts 2 & 3
publisher Helsinki University Press
series Estetika
issn 2571-0915
publishDate 2010-05-01
description In this important article, first published in 1917, the Czech aesthetician, musicologist, and composer Otakar Zich (1879–1934) distinguishes between two kinds of evaluation of a work of art: aesthetic evaluation and artistic evaluation. He bases this differentiation on two possible attitudes that a perceiver may have towards a work of art. The first originates solely in the perceiver’s experience of the work and his or her search for a feeling of pleasure. It reflects only the subjective preferences of the individual; Zich terms the corresponding value ‘relative aesthetic value’. Above the relative value of an emotional effect there is an evaluation of a higher order, which consists in ‘comprehending’ a work of art. It is to this evaluation that artistic value corresponds. According to Zich, however, this objective value is grounded not in the work itself, but in the distinctive ‘personal value’ of the artist. In artistic evaluation, the work of art is therefore evaluated as a manifestation of strong artistic individuality. The first part of the article was published in the previous issue.
url https://estetikajournal.org/articles/65
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