The case of the speculative detective: Aesthetic truths and the television ‘crime board’

In its central concern with questions of epistemology and problems of knowing, detective fiction has always ‘theorised itself’. Over and above any particular crime, the practice of investigation has always supported a broader inquiry into how the world might be interpreted, into how different types...

Full description

Bibliographic Details
Main Author: Rob Coley
Format: Article
Language:English
Published: Amsterdam University Press 2017-01-01
Series:NECSUS : European journal of media studies
Online Access:https://www.necsus-ejms.org/test/the-case-of-the-speculative-detective-aesthetic-truths-and-the-television-crime-board/
id doaj-f01341d6569949399ddc10bc9819a1d5
record_format Article
spelling doaj-f01341d6569949399ddc10bc9819a1d52020-11-25T03:59:42ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172017-01-01617710410.25969/mediarep/3379The case of the speculative detective: Aesthetic truths and the television ‘crime board’Rob ColeyIn its central concern with questions of epistemology and problems of knowing, detective fiction has always ‘theorised itself’. Over and above any particular crime, the practice of investigation has always supported a broader inquiry into how the world might be interpreted, into how different types of evidence might render the truth of this world knowable, and where the limits of certainty about this knowledge might lie. The current ubiquity of the television ‘crime board’, also known variously as the ‘case board’ or ‘murder board’, offers evidence for a shift in this tendency. Surveying a range of examples from contemporary television drama, this article considers how crime boards both express and perform conditions in which human knowledge of the world is in crisis. Crime boards, and the television shows in which they feature, increasingly problematise rather than uphold the representational authority of ‘truth’ – they serve to investigate phenomena that exceed human powers of detection, but also provoke a more speculative practice, a mode of detection in which the world might still remain aesthetically knowable.https://www.necsus-ejms.org/test/the-case-of-the-speculative-detective-aesthetic-truths-and-the-television-crime-board/
collection DOAJ
language English
format Article
sources DOAJ
author Rob Coley
spellingShingle Rob Coley
The case of the speculative detective: Aesthetic truths and the television ‘crime board’
NECSUS : European journal of media studies
author_facet Rob Coley
author_sort Rob Coley
title The case of the speculative detective: Aesthetic truths and the television ‘crime board’
title_short The case of the speculative detective: Aesthetic truths and the television ‘crime board’
title_full The case of the speculative detective: Aesthetic truths and the television ‘crime board’
title_fullStr The case of the speculative detective: Aesthetic truths and the television ‘crime board’
title_full_unstemmed The case of the speculative detective: Aesthetic truths and the television ‘crime board’
title_sort case of the speculative detective: aesthetic truths and the television ‘crime board’
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2017-01-01
description In its central concern with questions of epistemology and problems of knowing, detective fiction has always ‘theorised itself’. Over and above any particular crime, the practice of investigation has always supported a broader inquiry into how the world might be interpreted, into how different types of evidence might render the truth of this world knowable, and where the limits of certainty about this knowledge might lie. The current ubiquity of the television ‘crime board’, also known variously as the ‘case board’ or ‘murder board’, offers evidence for a shift in this tendency. Surveying a range of examples from contemporary television drama, this article considers how crime boards both express and perform conditions in which human knowledge of the world is in crisis. Crime boards, and the television shows in which they feature, increasingly problematise rather than uphold the representational authority of ‘truth’ – they serve to investigate phenomena that exceed human powers of detection, but also provoke a more speculative practice, a mode of detection in which the world might still remain aesthetically knowable.
url https://www.necsus-ejms.org/test/the-case-of-the-speculative-detective-aesthetic-truths-and-the-television-crime-board/
work_keys_str_mv AT robcoley thecaseofthespeculativedetectiveaesthetictruthsandthetelevisioncrimeboard
AT robcoley caseofthespeculativedetectiveaesthetictruthsandthetelevisioncrimeboard
_version_ 1724453405475209216