Robert Nye’s Falstaff: A Remarkable Case of Creative Reception

Among fictitious autobiographies as well as among historical novels, Robert Nye’s Falstaff (1976) is a special case in that it is not the autobiography of a historical personage, but of a dramatic character —who happens to be one of the most famous in Shakespeare, indeed in world drama, t...

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Main Author: Klein, Holger
Format: Article
Language:English
Published: Universidad de Alicante 2012-11-01
Series:Revista Alicantina de Estudios Ingleses
Online Access:https://raei.ua.es/article/view/2012-n25-robert-nyes-falstaff-a-remarkable-case-of-creative-reception
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spelling doaj-efd6d0b840104fab8d21565da870dfa52020-11-25T02:49:52ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X2012-11-012520910.14198/raei.2012.25.164787Robert Nye’s Falstaff: A Remarkable Case of Creative ReceptionKlein, Holger Among fictitious autobiographies as well as among historical novels, Robert Nye’s Falstaff (1976) is a special case in that it is not the autobiography of a historical personage, but of a dramatic character —who happens to be one of the most famous in Shakespeare, indeed in world drama, to be dictated by Falstaff to various amanuenses. After briefly discussing the sub-genre of fictitious autobiography, this paper will analyze the varied use of intertextuality, the tensions fabricated between the autobiographer and his helpers, and the critical thoughts and tendencies which Nye absorbed in preparing the work with particular emphasis on the clash between the Shakespearean intertexts and the diction surrounding it.https://raei.ua.es/article/view/2012-n25-robert-nyes-falstaff-a-remarkable-case-of-creative-reception
collection DOAJ
language English
format Article
sources DOAJ
author Klein, Holger
spellingShingle Klein, Holger
Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
Revista Alicantina de Estudios Ingleses
author_facet Klein, Holger
author_sort Klein, Holger
title Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
title_short Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
title_full Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
title_fullStr Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
title_full_unstemmed Robert Nye’s Falstaff: A Remarkable Case of Creative Reception
title_sort robert nye’s falstaff: a remarkable case of creative reception
publisher Universidad de Alicante
series Revista Alicantina de Estudios Ingleses
issn 0214-4808
2171-861X
publishDate 2012-11-01
description Among fictitious autobiographies as well as among historical novels, Robert Nye’s Falstaff (1976) is a special case in that it is not the autobiography of a historical personage, but of a dramatic character —who happens to be one of the most famous in Shakespeare, indeed in world drama, to be dictated by Falstaff to various amanuenses. After briefly discussing the sub-genre of fictitious autobiography, this paper will analyze the varied use of intertextuality, the tensions fabricated between the autobiographer and his helpers, and the critical thoughts and tendencies which Nye absorbed in preparing the work with particular emphasis on the clash between the Shakespearean intertexts and the diction surrounding it.
url https://raei.ua.es/article/view/2012-n25-robert-nyes-falstaff-a-remarkable-case-of-creative-reception
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