The Auto-da-Fé on Stage in the Eucharistics Plays
This paper explores the representation of the Holy Office in allegorical works in which beyond the mere mention of his name is seen the character and / or the preparation and execution of the auto of faith, which constitutes the most ostensible proof of its power. After tracing a rapid panorama, the...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Instituto de Estudios Auriseculares (IDEA)
2017-11-01
|
| Series: | Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro |
| Online Access: | https://www.revistahipogrifo.com/index.php/hipogrifo/article/view/313 |
| Summary: | This paper explores the representation of the Holy Office in allegorical works in which beyond the mere mention of his name is seen the character and / or the preparation and execution of the auto of faith, which constitutes the most ostensible proof of its power. After tracing a rapid panorama, the analysis focuses on The Inquisition, by Mira de Amescua, a little known work that has remained unpublished until very recently. |
|---|---|
| ISSN: | 2328-1308 |