Poéticas e políticas do ver na literatura brasileira
Departing from an analogy between Donna Haraway's (1988) plea for incarnate constructions of situated knowledges and the frame-history, identified by Tzvetan Todorov (1968) in the embedded structure of traditional narratives, such as The Decameron, or The Thousand and One Nights, the article fo...
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| Format: | Article |
| Language: | fra |
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Maison des Science de l'Homme
2020-12-01
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| Series: | Brésil(s) |
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| Online Access: | http://journals.openedition.org/bresils/8773 |
| Summary: | Departing from an analogy between Donna Haraway's (1988) plea for incarnate constructions of situated knowledges and the frame-history, identified by Tzvetan Todorov (1968) in the embedded structure of traditional narratives, such as The Decameron, or The Thousand and One Nights, the article focuses on visuality/visibility strategies in the book of short stories Insubmissas lágrimas de mulheres, by Conceição Evaristo (2011). The aim is to demonstrate how the writer performatively deconstructs the idea of a universal white male narrative voice, which traditionally need not be marked at the discourse level, by situating enunciative voices from narrative perspectives marginalized by the Brazilian literary system and canon. |
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| ISSN: | 2257-0543 2425-231X |