Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies

In this article I start with a personal experience “cameo” from 1996 in Australia and extrapolate from that some issues that remain relevant in the sometimes troubled relationship between cultural studies and cultural policy. These are encapsulated in the three “cs” of convergence, creative industr...

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Main Author: Colin Mercer
Format: Article
Language:English
Published: Linköping University Electronic Press 2009-10-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:https://cultureunbound.ep.liu.se/article/view/1893
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spelling doaj-ef78d31bfd2f439ca40ed7a7ef7b5f062020-11-25T04:10:29ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252009-10-011110.3384/cu.2000.1525.09111179Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural StudiesColin Mercer In this article I start with a personal experience “cameo” from 1996 in Australia and extrapolate from that some issues that remain relevant in the sometimes troubled relationship between cultural studies and cultural policy. These are encapsulated in the three “cs” of convergence, creative industries and civil society which provide a new context for both new research and new policy settings. The argument is developed and situated in historical terms by examining the “cultural technologies”, especially the newspaper, and subsequently print media in the 19th century, electronic media in the 20th century and digital media in the 21st century which provide the content, the technologies and the rituals for “imagining” our sense of place and belonging. This is then linked to ways of understanding culture and cultural technologies in the context of governmentality and the emergence of culture as a strategic object of policy with the aim of citizen- and population formation and management. This argument is then linked to four contemporary “testbeds” – cultural mapping and planning, cultural statistics and indicators, cultural citizenship and identity, and research of and for cultural policy – and priorities for cultural policy where cultural studies work has been extremely enabling and productive. The article concludes with an argument, derived from the early 20th century work of Patrick Geddes of the necessity of linking, researching, understanding and operationalising the three key elements and disciplines of Folk (anthropology), Work (economics), and Place (geography) in order to properly situate cultural policy, mapping and planning and their relationship to cultural studies and other disciplines. https://cultureunbound.ep.liu.se/article/view/1893Creative industriescultural studiescultural policygovernmentality
collection DOAJ
language English
format Article
sources DOAJ
author Colin Mercer
spellingShingle Colin Mercer
Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
Culture Unbound: Journal of Current Cultural Research
Creative industries
cultural studies
cultural policy
governmentality
author_facet Colin Mercer
author_sort Colin Mercer
title Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
title_short Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
title_full Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
title_fullStr Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
title_full_unstemmed Convergence, Creative Industries and Civil Society: Towards a New Agenda for Cultural Policy and Cultural Studies
title_sort convergence, creative industries and civil society: towards a new agenda for cultural policy and cultural studies
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2009-10-01
description In this article I start with a personal experience “cameo” from 1996 in Australia and extrapolate from that some issues that remain relevant in the sometimes troubled relationship between cultural studies and cultural policy. These are encapsulated in the three “cs” of convergence, creative industries and civil society which provide a new context for both new research and new policy settings. The argument is developed and situated in historical terms by examining the “cultural technologies”, especially the newspaper, and subsequently print media in the 19th century, electronic media in the 20th century and digital media in the 21st century which provide the content, the technologies and the rituals for “imagining” our sense of place and belonging. This is then linked to ways of understanding culture and cultural technologies in the context of governmentality and the emergence of culture as a strategic object of policy with the aim of citizen- and population formation and management. This argument is then linked to four contemporary “testbeds” – cultural mapping and planning, cultural statistics and indicators, cultural citizenship and identity, and research of and for cultural policy – and priorities for cultural policy where cultural studies work has been extremely enabling and productive. The article concludes with an argument, derived from the early 20th century work of Patrick Geddes of the necessity of linking, researching, understanding and operationalising the three key elements and disciplines of Folk (anthropology), Work (economics), and Place (geography) in order to properly situate cultural policy, mapping and planning and their relationship to cultural studies and other disciplines.
topic Creative industries
cultural studies
cultural policy
governmentality
url https://cultureunbound.ep.liu.se/article/view/1893
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