“It does not matter that she is a female, she will be a gusle player”: The ideology of an instrument
Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2013-01-01
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| Series: | Muzikologija |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2013/1450-98141314159D.pdf |
| Summary: | Within the theoretical and methodological framework based on the concept of
the ideology of tradition, I analyze a wide and complex repertoire of
attitudes toward female gusle players. Aside from the techniques of
representation demonstrated in scientific discourses, I examine the status of
female gusle players by assessing the material obtained during several years
of field researches (the “male” perspective), and I also refer to the public
(media) discourse, acknowledging the characteristics of media and popular
culture. The “researcher’s voice” is also interpreted as part of a discourse
on the ideology of tradition. [Projekat Ministarstva nauke Republike Srbije,
br. 178011: Srpsko usmeno stvaralaštvo u interkulturnom kodu] |
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| ISSN: | 1450-9814 |