Music and Songs in Lolita, novel and film
The aim of this paper is to stress the importance of music and song in Nabokov’s Lolita (1955), and also in Kubrick’s interpretation of it in his film (1962). Indeed Kubrick’s adaptation does bring about, as Linda Hutcheon puts it, a “transcoding process” from the code of writing into the code of fi...
Main Author: | Marie Bouchet |
---|---|
Format: | Article |
Language: | English |
Published: |
Université Toulouse - Jean Jaurès
2010-11-01
|
Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
Subjects: | |
Online Access: | http://journals.openedition.org/miranda/1498 |
Similar Items
-
“The Enchanted Hunters and the Hunted Enchanters: the dizzying effects of embedded structures and meta-artistic devices in Lolita, novel and film”
by: Marie Bouchet
Published: (2010-12-01) -
La fabrique de l’homme objet dans Lolita de Stanley Kubrick
by: Emmanuelle Delanoë-Brun
Published: (2010-12-01) -
Nabokov, Kubrick and Stern: Who Created Lolita?
by: Dijana Metlić
Published: (2019-06-01) -
The colonization of Dolores Haze : A postcolonial reading of the novel Lolita
by: Starud, Alexandra
Published: (2016) -
The patterning of obsessive love in Lolita and Possessed
by: Wilson Orozco
Published: (2017-10-01)