The Aboriginal Version: Erna Brodber's "One Bubby Susan"

In the story "One Bubby Susan" (1990), by Jamaican sociologist and author, Erna Brodber, the narrator attempts to persuade the listener that a petroglyph in a cave in Jamaica that has been identified in texts as the depiction of an Arawak female is, in fact, not a work of art, but the outl...

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Main Author: Michelene Adams
Format: Article
Language:English
Published: University of the Bahamas 2008-02-01
Series:International Journal of Bahamian Studies
Online Access:https://journals.sfu.ca/cob/index.php/files/article/view/62
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spelling doaj-eeadee52ee0b446188404637dde060dc2021-05-27T20:11:11ZengUniversity of the BahamasInternational Journal of Bahamian Studies2220-57722008-02-01120263110.15362/ijbs.v12i0.6232The Aboriginal Version: Erna Brodber's "One Bubby Susan"Michelene Adams0The College of The BahamasIn the story "One Bubby Susan" (1990), by Jamaican sociologist and author, Erna Brodber, the narrator attempts to persuade the listener that a petroglyph in a cave in Jamaica that has been identified in texts as the depiction of an Arawak female is, in fact, not a work of art, but the outline of an actual woman's body. The outline was left in the rock when she was stoned to death by her own people. The contemporary Jamaican narrator recounts the tale which she has been told by the ghost of the Arawak female herself, and, by telling her life across centuries to the narrator, Susan challenges her own marginalization as Aboriginal and as woman. In the paper I briefly consider how the Aboriginal has remained on the margins in colonial and even in more modern Caribbean discourse. I examine how Brodber recasts the Aboriginal in the central role. First, I consider how she questions the authority of official Histories and scribal culture generally. Then, I explore how the Arawak is re-vivified through the metaphors of the body and the voice. Of course, the issues of history, corporeality and voice are all crucial in feminist discourse, so I also explore what Brodber is suggesting with regard to gender while re-presenting the Aboriginal.https://journals.sfu.ca/cob/index.php/files/article/view/62
collection DOAJ
language English
format Article
sources DOAJ
author Michelene Adams
spellingShingle Michelene Adams
The Aboriginal Version: Erna Brodber's "One Bubby Susan"
International Journal of Bahamian Studies
author_facet Michelene Adams
author_sort Michelene Adams
title The Aboriginal Version: Erna Brodber's "One Bubby Susan"
title_short The Aboriginal Version: Erna Brodber's "One Bubby Susan"
title_full The Aboriginal Version: Erna Brodber's "One Bubby Susan"
title_fullStr The Aboriginal Version: Erna Brodber's "One Bubby Susan"
title_full_unstemmed The Aboriginal Version: Erna Brodber's "One Bubby Susan"
title_sort aboriginal version: erna brodber's "one bubby susan"
publisher University of the Bahamas
series International Journal of Bahamian Studies
issn 2220-5772
publishDate 2008-02-01
description In the story "One Bubby Susan" (1990), by Jamaican sociologist and author, Erna Brodber, the narrator attempts to persuade the listener that a petroglyph in a cave in Jamaica that has been identified in texts as the depiction of an Arawak female is, in fact, not a work of art, but the outline of an actual woman's body. The outline was left in the rock when she was stoned to death by her own people. The contemporary Jamaican narrator recounts the tale which she has been told by the ghost of the Arawak female herself, and, by telling her life across centuries to the narrator, Susan challenges her own marginalization as Aboriginal and as woman. In the paper I briefly consider how the Aboriginal has remained on the margins in colonial and even in more modern Caribbean discourse. I examine how Brodber recasts the Aboriginal in the central role. First, I consider how she questions the authority of official Histories and scribal culture generally. Then, I explore how the Arawak is re-vivified through the metaphors of the body and the voice. Of course, the issues of history, corporeality and voice are all crucial in feminist discourse, so I also explore what Brodber is suggesting with regard to gender while re-presenting the Aboriginal.
url https://journals.sfu.ca/cob/index.php/files/article/view/62
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