Seeing is believing: Unity of Place in Arcadia

At first sight, Stoppard’s choice of the single set with its corresponding objects seems designed to create a reassuringly stable frame in which the action can take place. However, we soon come to realize that the set and objects do not strictly adhere to the rules of conventional theatre. Their fun...

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Bibliographic Details
Main Author: Susan Blattès
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/2440