Using Pitch, Amplitude Modulation, and Spatial Cues for Separation of Harmonic Instruments from Stereo Music Recordings
<p/> <p>Recent work in <it>blind source separation</it> applied to anechoic mixtures of speech allows for improved reconstruction of sources that rarely overlap in a time-frequency representation. While the assumption that speech mixtures do not overlap significantly in time-...
Main Authors: | Pardo Bryan, Woodruff John |
---|---|
Format: | Article |
Language: | English |
Published: |
SpringerOpen
2007-01-01
|
Series: | EURASIP Journal on Advances in Signal Processing |
Online Access: | http://asp.eurasipjournals.com/content/2007/086369 |
Similar Items
-
Using Pitch, Amplitude Modulation, and Spatial Cues for Separation of Harmonic Instruments from Stereo Music Recordings
by: Bryan Pardo, et al.
Published: (2007-01-01) -
Instrument Timbres and Pitch Estimation in Polyphonic Music
by: Loeffler, Dominik B.
Published: (2006) -
Binaural Pitch Fusion: Effects of Amplitude Modulation
by: Yonghee Oh, et al.
Published: (2018-07-01) -
Interval cycles and the cognition of pitch attraction in Western tonal-harmonic music
by: Woolhouse, Matthew Harold
Published: (2008) -
Music Source Separation by Harmonic Structure
by: YANG, CHIA-WEN, et al.
Published: (2017)