Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog

Cultural‑led renovation projects are often directed toward the formation of new art facilities, services, products and urban settings based on which the city could become distinctively different and economically profitable. However, often during the course of urban redevelopment, it is not completel...

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Main Author: Matjaž Uršič
Format: Article
Language:English
Published: Centro de Estudos Sociais da Universidade de Coimbra 2012-12-01
Series:Revista Crítica de Ciências Sociais
Subjects:
Online Access:http://journals.openedition.org/rccs/5143
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spelling doaj-edecbcbdb6964d808c0eef778c0f41112020-11-24T23:39:23ZengCentro de Estudos Sociais da Universidade de CoimbraRevista Crítica de Ciências Sociais0254-11062182-74352012-12-019914116610.4000/rccs.5143Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica RogMatjaž UršičCultural‑led renovation projects are often directed toward the formation of new art facilities, services, products and urban settings based on which the city could become distinctively different and economically profitable. However, often during the course of urban redevelopment, it is not completely clear which renovation strategy is to be used and what consequences will that have for the neighbourhood, its social structure and local community. In some cases, it is possible to speculate that renovation may lead to diminishment in cultural heterogeneity and obstruct wider socio‑cultural revitalisation processes in the city. This article offers critical insight into the planning processes for cultural revitalisation that is based on a ‘top‑down’ approach. More specifically, it examines the renovation project of a former bicycle factory (Rog) situated in the centre of Ljubljana and planned to be renovated into the Centre of Contemporary Arts. By taking into account the social, economic and architectural characteristics of the local environment in which the specific renovation project is embedded, the article stresses the importance of ‘bottom up’ cultural planning that relies on greater inclusion of various local population groups.http://journals.openedition.org/rccs/5143cultural economycultural policyLjubljana (Slovenia)urban planningurban regeneration
collection DOAJ
language English
format Article
sources DOAJ
author Matjaž Uršič
spellingShingle Matjaž Uršič
Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
Revista Crítica de Ciências Sociais
cultural economy
cultural policy
Ljubljana (Slovenia)
urban planning
urban regeneration
author_facet Matjaž Uršič
author_sort Matjaž Uršič
title Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
title_short Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
title_full Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
title_fullStr Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
title_full_unstemmed Revitalização cultural urbana “de cima para baixo” – Bens culturais escondidos e a reabilitação da antiga Fábrica Rog
title_sort revitalização cultural urbana “de cima para baixo” – bens culturais escondidos e a reabilitação da antiga fábrica rog
publisher Centro de Estudos Sociais da Universidade de Coimbra
series Revista Crítica de Ciências Sociais
issn 0254-1106
2182-7435
publishDate 2012-12-01
description Cultural‑led renovation projects are often directed toward the formation of new art facilities, services, products and urban settings based on which the city could become distinctively different and economically profitable. However, often during the course of urban redevelopment, it is not completely clear which renovation strategy is to be used and what consequences will that have for the neighbourhood, its social structure and local community. In some cases, it is possible to speculate that renovation may lead to diminishment in cultural heterogeneity and obstruct wider socio‑cultural revitalisation processes in the city. This article offers critical insight into the planning processes for cultural revitalisation that is based on a ‘top‑down’ approach. More specifically, it examines the renovation project of a former bicycle factory (Rog) situated in the centre of Ljubljana and planned to be renovated into the Centre of Contemporary Arts. By taking into account the social, economic and architectural characteristics of the local environment in which the specific renovation project is embedded, the article stresses the importance of ‘bottom up’ cultural planning that relies on greater inclusion of various local population groups.
topic cultural economy
cultural policy
Ljubljana (Slovenia)
urban planning
urban regeneration
url http://journals.openedition.org/rccs/5143
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