Europe of “Others”: Deviations, mobility, and the construction of identities in Carmine Amoroso’s Cover Boy
This article explores Carmine Amoroso’s Cover Boy (2006) through the themes of deviation, mobility and identity construction and from the textually analytical perspectives of the director’s use of space and mise en scène in establishing a dialogue on “otherness” in a cross-European context. Specific...
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Format: | Article |
Language: | English |
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University College Cork
2015-10-01
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Series: | Alphaville: Journal of Film and Screen Media |
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Online Access: | http://www.alphavillejournal.com/Issue9/HTML/ArticleKeating.html |