Empire de la nuit, amour maudit. De la peinture de l’Ottocento à “L’Inferno” (1911)

Between 1905 and 1920, Italian cinema staged an imaginary return to the past, by drawing on the suggestions of different art forms, such as literature, musical theatre, painting, and the decorative arts. This article considers the various connections between the first Italian full-length film (L’Inf...

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Bibliographic Details
Main Author: Céline Gailleurd
Format: Article
Language:English
Published: Prof. Rinaldo Rinaldi 2012-06-01
Series:Parole Rubate : Rivista Internazionale di Studi sulla Citazione
Subjects:
Online Access:http://www.parolerubate.unipr.it/fascicolo5_pdf/F5-2_GAILLEURD_Inferno.pdf

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