Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
This article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the...
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2019-12-01
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Online Access: | http://journals.openedition.org/erea/8900 |
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doaj-ed5e9c41553144109faaa466603069442020-11-25T01:56:06ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182019-12-01171Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivitiesSandrine SORLINThis article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the reader). Sliding between different potential referents as is the case in traditional “you novels,” the pronoun is always on the verge on merging into the first or third person pronoun, while assuming its addressivity at all times. Dislodging the ‘I’ from its egocentric position, it also enables different intersubjective frames to co-exist, in keeping with Auster’s conception of life-writing as inevitably fragmented and non-linear. As argued, the pronoun is a metaleptic “space-opener”, opening the autobiographer’s mental space for the reader to share as a “by-sider”: the second-person pronoun is what ensures an ethical encounter of selves in the dialectic of singularity and solidarity/shareability that Auster’s work fosters.http://journals.openedition.org/erea/8900second-person pronounautobiographyyou narrativesegocentrismintersubjectivity |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sandrine SORLIN |
spellingShingle |
Sandrine SORLIN Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities E-REA second-person pronoun autobiography you narratives egocentrism intersubjectivity |
author_facet |
Sandrine SORLIN |
author_sort |
Sandrine SORLIN |
title |
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities |
title_short |
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities |
title_full |
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities |
title_fullStr |
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities |
title_full_unstemmed |
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities |
title_sort |
auster’s autobiographical ‘you’ in report from the interior: multi-faceted (inter)subjectivities |
publisher |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
series |
E-REA |
issn |
1638-1718 |
publishDate |
2019-12-01 |
description |
This article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the reader). Sliding between different potential referents as is the case in traditional “you novels,” the pronoun is always on the verge on merging into the first or third person pronoun, while assuming its addressivity at all times. Dislodging the ‘I’ from its egocentric position, it also enables different intersubjective frames to co-exist, in keeping with Auster’s conception of life-writing as inevitably fragmented and non-linear. As argued, the pronoun is a metaleptic “space-opener”, opening the autobiographer’s mental space for the reader to share as a “by-sider”: the second-person pronoun is what ensures an ethical encounter of selves in the dialectic of singularity and solidarity/shareability that Auster’s work fosters. |
topic |
second-person pronoun autobiography you narratives egocentrism intersubjectivity |
url |
http://journals.openedition.org/erea/8900 |
work_keys_str_mv |
AT sandrinesorlin austersautobiographicalyouinreportfromtheinteriormultifacetedintersubjectivities |
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1724981547872813056 |