Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities

This article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the...

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Main Author: Sandrine SORLIN
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2019-12-01
Series:E-REA
Subjects:
Online Access:http://journals.openedition.org/erea/8900
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spelling doaj-ed5e9c41553144109faaa466603069442020-11-25T01:56:06ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182019-12-01171Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivitiesSandrine SORLINThis article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the reader). Sliding between different potential referents as is the case in traditional “you novels,” the pronoun is always on the verge on merging into the first or third person pronoun, while assuming its addressivity at all times. Dislodging the ‘I’ from its egocentric position, it also enables different intersubjective frames to co-exist, in keeping with Auster’s conception of life-writing as inevitably fragmented and non-linear. As argued, the pronoun is a metaleptic “space-opener”, opening the autobiographer’s mental space for the reader to share as a “by-sider”: the second-person pronoun is what ensures an ethical encounter of selves in the dialectic of singularity and solidarity/shareability that Auster’s work fosters.http://journals.openedition.org/erea/8900second-person pronounautobiographyyou narrativesegocentrismintersubjectivity
collection DOAJ
language English
format Article
sources DOAJ
author Sandrine SORLIN
spellingShingle Sandrine SORLIN
Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
E-REA
second-person pronoun
autobiography
you narratives
egocentrism
intersubjectivity
author_facet Sandrine SORLIN
author_sort Sandrine SORLIN
title Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
title_short Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
title_full Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
title_fullStr Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
title_full_unstemmed Auster’s autobiographical ‘you’ in Report From the Interior: multi-faceted (inter)subjectivities
title_sort auster’s autobiographical ‘you’ in report from the interior: multi-faceted (inter)subjectivities
publisher Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
series E-REA
issn 1638-1718
publishDate 2019-12-01
description This article focuses on the choice of the second-person pronoun in Paul Auster’s autobiographical work, Report from the Interior (2013). Unusual in the genre, this article demonstrates that it serves several functions within the economy of the narration but also across it (in its reaching out to the reader). Sliding between different potential referents as is the case in traditional “you novels,” the pronoun is always on the verge on merging into the first or third person pronoun, while assuming its addressivity at all times. Dislodging the ‘I’ from its egocentric position, it also enables different intersubjective frames to co-exist, in keeping with Auster’s conception of life-writing as inevitably fragmented and non-linear. As argued, the pronoun is a metaleptic “space-opener”, opening the autobiographer’s mental space for the reader to share as a “by-sider”: the second-person pronoun is what ensures an ethical encounter of selves in the dialectic of singularity and solidarity/shareability that Auster’s work fosters.
topic second-person pronoun
autobiography
you narratives
egocentrism
intersubjectivity
url http://journals.openedition.org/erea/8900
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