Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo

The essay challenges the prevailing view that the West invented modernity and modernism, while the rest imitated the West in derivative forms. It considers the cityscapes of Shanghai and Manhattan to upset common equations of modernization with Westernization and draws on comparative world history a...

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Main Author: Susan Stanford Friedman
Format: Article
Language:English
Published: Centro de Estudos Sociais da Universidade de Coimbra 2006-06-01
Series:Revista Crítica de Ciências Sociais
Subjects:
Online Access:http://journals.openedition.org/rccs/934
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spelling doaj-ed4df13c29534392a317d69742e8e9962020-11-25T00:30:26ZengCentro de Estudos Sociais da Universidade de CoimbraRevista Crítica de Ciências Sociais0254-11062182-74352006-06-01748511310.4000/rccs.934Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismoSusan Stanford FriedmanThe essay challenges the prevailing view that the West invented modernity and modernism, while the rest imitated the West in derivative forms. It considers the cityscapes of Shanghai and Manhattan to upset common equations of modernization with Westernization and draws on comparative world history and postcolonial studies to offer new ways of thinking about the spatio/temporal boundaries of modernity/modernism. Cassatt’s translations of Japanese woodblock prints, Picasso’s adaptations of African art, and the Sudanese writer Tayeb Salih’s rewriting of Conrad are juxtaposed to demonstrate transcontinental cultural flows in the formation of different modernisms.http://journals.openedition.org/rccs/934modernityModernismShanghaiManhattanpostcolonialismpostcolonial studies
collection DOAJ
language English
format Article
sources DOAJ
author Susan Stanford Friedman
spellingShingle Susan Stanford Friedman
Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
Revista Crítica de Ciências Sociais
modernity
Modernism
Shanghai
Manhattan
postcolonialism
postcolonial studies
author_facet Susan Stanford Friedman
author_sort Susan Stanford Friedman
title Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
title_short Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
title_full Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
title_fullStr Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
title_full_unstemmed Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
title_sort batendo palmas a uma só mão: colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo
publisher Centro de Estudos Sociais da Universidade de Coimbra
series Revista Crítica de Ciências Sociais
issn 0254-1106
2182-7435
publishDate 2006-06-01
description The essay challenges the prevailing view that the West invented modernity and modernism, while the rest imitated the West in derivative forms. It considers the cityscapes of Shanghai and Manhattan to upset common equations of modernization with Westernization and draws on comparative world history and postcolonial studies to offer new ways of thinking about the spatio/temporal boundaries of modernity/modernism. Cassatt’s translations of Japanese woodblock prints, Picasso’s adaptations of African art, and the Sudanese writer Tayeb Salih’s rewriting of Conrad are juxtaposed to demonstrate transcontinental cultural flows in the formation of different modernisms.
topic modernity
Modernism
Shanghai
Manhattan
postcolonialism
postcolonial studies
url http://journals.openedition.org/rccs/934
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