The Flux of Transmigrant Identities in Thomas Arslan’s Brothers and Sisters
The paper investigates Brothers and Sisters (Geschwister-Kardeşler, 1995), the first piece of Thomas Arslan’s Berlin-trilogy. While putting the film into the socio-historical context of the newly united German Republic, the study aims to highlight the characters’ struggle and constant shift between...
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| Format: | Article |
| Language: | English |
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Sciendo
2017-12-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2017-0003 |