Beyond the Dogma of a ‘National Style’: Dance-Type Narration in Stanislaw Moniuszko’s Operas
A privileged position in discourse on 19th-century opera is occupied by narration concerning the emancipation of national styles. In order to work out a fresh approach in scientific study of this subject, it seems crucial that we should abandon the ethnocentric perspective. This was one of the main...
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| Format: | Article |
| Language: | English |
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Sciendo
2018-12-01
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| Series: | Musicology Today |
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| Online Access: | https://doi.org/10.2478/muso-2018-0006 |