From Lope to Celano: «La sofferenza coronata», an Italian adaptation of «Los tres diamantes» (and a digression on Ciro de Monarca’s «scenario» «Il cavaliere dai tre gilgi d’oro»)
<p><span>This paper explores an Italian adaptation of Lope de Vega’s play <em>Los tres diamantes</em>, written in the second part of the seventeeth century. Its author, Carlo Celano, was a famous writer of <em>opere regie, i. e.</em>, adaptations of Spanish comedi...
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| Format: | Article |
| Language: | Spanish |
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Universitat Autònoma de Barcelona
2017-01-01
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| Series: | Anuario Lope de Vega: Texto, Literatura, Cultura |
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| Online Access: | https://revistes.uab.cat/anuariolopedevega/article/view/203 |
| Summary: | <p><span>This paper explores an Italian adaptation of Lope de Vega’s play <em>Los tres diamantes</em>, written in the second part of the seventeeth century. Its author, Carlo Celano, was a famous writer of <em>opere regie, i. e.</em>, adaptations of Spanish comedies of situation. The analysis focuses on the way in which the adaptation of the Aristotelian units of space and time leads to a reduction of the characters and a simplification of the situation, although this is compensated by enriching its ludic component. This last trait can be also observed in a previous re-elaboration of Lope’s comedy, the <em>scenario </em>of the <em>Commedia dell’arte</em> titled <em>Il cavaliere dai tre gigli d’oro</em>.</span></p> |
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| ISSN: | 2014-8860 |