Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff

Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff

The aim of this paper is to present those realistic tendencies in Bulgarian painting from the 1920s and 1930s, that echoe contemporary West European ones, like the New Objectivity in Germany. Among others, it will be shown how Bulgarian artist’s paintings are inspired by the folklore primitive from...

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Bibliographic Details
Main Author: Galina Dekova
Format: Article
Language:deu
Published: Axia Academic Publishers 2019-10-01
Series:Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
Subjects:
boris elisayeff, modern painting, realism, folklore, national tradition
Online Access:https://axiapublishers.com/ojs/index.php/labyrinth/article/view/176
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spelling doaj-ec7a51ff86604bc4afe34574d0ad4c282021-04-02T12:17:29ZdeuAxia Academic PublishersLabyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics2410-48171561-89272019-10-0121118820010.25180/lj.v21i1.176108Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris ElisayeffGalina Dekova0Academy of Fine Arts / Sofia City Art Gallery, BulgariaThe aim of this paper is to present those realistic tendencies in Bulgarian painting from the 1920s and 1930s, that echoe contemporary West European ones, like the New Objectivity in Germany. Among others, it will be shown how Bulgarian artist’s paintings are inspired by the folklore primitive from the past and reflect the assiduity of cultural administration to renew the idea of a modern artistic school of art with a defined national character.https://axiapublishers.com/ojs/index.php/labyrinth/article/view/176boris elisayeff, modern painting, realism, folklore, national tradition
collection DOAJ
language deu
format Article
sources DOAJ
author Galina Dekova
spellingShingle Galina Dekova
Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
boris elisayeff, modern painting, realism, folklore, national tradition
author_facet Galina Dekova
author_sort Galina Dekova
title Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
title_short Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
title_full Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
title_fullStr Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
title_full_unstemmed Figurative art in Bulgaria from the 1920s and 1930s: The School of Kyustendil, Kiril Tsonev and Boris Elisayeff
title_sort figurative art in bulgaria from the 1920s and 1930s: the school of kyustendil, kiril tsonev and boris elisayeff
publisher Axia Academic Publishers
series Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
issn 2410-4817
1561-8927
publishDate 2019-10-01
description The aim of this paper is to present those realistic tendencies in Bulgarian painting from the 1920s and 1930s, that echoe contemporary West European ones, like the New Objectivity in Germany. Among others, it will be shown how Bulgarian artist’s paintings are inspired by the folklore primitive from the past and reflect the assiduity of cultural administration to renew the idea of a modern artistic school of art with a defined national character.
topic boris elisayeff, modern painting, realism, folklore, national tradition
url https://axiapublishers.com/ojs/index.php/labyrinth/article/view/176
work_keys_str_mv AT galinadekova figurativeartinbulgariafromthe1920sand1930stheschoolofkyustendilkiriltsonevandboriselisayeff
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