Writing Irish Art History
This is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and inclu...
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Department of Art History, University of Birmingham
2011-12-01
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doaj-eb83a5b83ff34aeaaa2011427d3090e42020-11-24T21:30:30ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522011-12-0155NNG/1Writing Irish Art HistoryNiamh NicGhabhannThis is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and included keynote addresses by both Professor Tom Dunne and Dr. Róisín Kennedy, and a performance by Dr. Nicholas Johnson and Nathan Gordon adapted from Samuel Beckett’s Three Dialogues from Georges Duthuit. The second event reviewed here was a session at the 2011 Association of Art Historians’ Annual Conference at Warwick, which brought together several scholars who contributed close readings of individual key texts and documents towards a critical investigation of the historiography of Irish art, and queried the categories of Irish art and its institutional implications. These events are placed in the context of the absence or presence of the debate on historiographical practices relating to Irish art history over the past decade.http://arthistoriography.files.wordpress.com/2011/12/nicghabhann.pdfIrish artIrelandTRIARCAssociation of Art HistoriansCircahistoriographyreview |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Niamh NicGhabhann |
spellingShingle |
Niamh NicGhabhann Writing Irish Art History Journal of Art Historiography Irish art Ireland TRIARC Association of Art Historians Circa historiography review |
author_facet |
Niamh NicGhabhann |
author_sort |
Niamh NicGhabhann |
title |
Writing Irish Art History |
title_short |
Writing Irish Art History |
title_full |
Writing Irish Art History |
title_fullStr |
Writing Irish Art History |
title_full_unstemmed |
Writing Irish Art History |
title_sort |
writing irish art history |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2011-12-01 |
description |
This is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and included keynote addresses by both Professor Tom Dunne and Dr. Róisín Kennedy, and a performance by Dr. Nicholas Johnson and Nathan Gordon adapted from Samuel Beckett’s Three Dialogues from Georges Duthuit. The second event reviewed here was a session at the 2011 Association of Art Historians’ Annual Conference at Warwick, which brought together several scholars who contributed close readings of individual key texts and documents towards a critical investigation of the historiography of Irish art, and queried the categories of Irish art and its institutional implications. These events are placed in the context of the absence or presence of the debate on historiographical practices relating to Irish art history over the past decade. |
topic |
Irish art Ireland TRIARC Association of Art Historians Circa historiography review |
url |
http://arthistoriography.files.wordpress.com/2011/12/nicghabhann.pdf |
work_keys_str_mv |
AT niamhnicghabhann writingirisharthistory |
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