Writing Irish Art History

This is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and inclu...

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Main Author: Niamh NicGhabhann
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2011-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:http://arthistoriography.files.wordpress.com/2011/12/nicghabhann.pdf
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spelling doaj-eb83a5b83ff34aeaaa2011427d3090e42020-11-24T21:30:30ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522011-12-0155NNG/1Writing Irish Art HistoryNiamh NicGhabhannThis is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and included keynote addresses by both Professor Tom Dunne and Dr. Róisín Kennedy, and a performance by Dr. Nicholas Johnson and Nathan Gordon adapted from Samuel Beckett’s Three Dialogues from Georges Duthuit. The second event reviewed here was a session at the 2011 Association of Art Historians’ Annual Conference at Warwick, which brought together several scholars who contributed close readings of individual key texts and documents towards a critical investigation of the historiography of Irish art, and queried the categories of Irish art and its institutional implications. These events are placed in the context of the absence or presence of the debate on historiographical practices relating to Irish art history over the past decade.http://arthistoriography.files.wordpress.com/2011/12/nicghabhann.pdfIrish artIrelandTRIARCAssociation of Art HistoriansCircahistoriographyreview
collection DOAJ
language English
format Article
sources DOAJ
author Niamh NicGhabhann
spellingShingle Niamh NicGhabhann
Writing Irish Art History
Journal of Art Historiography
Irish art
Ireland
TRIARC
Association of Art Historians
Circa
historiography
review
author_facet Niamh NicGhabhann
author_sort Niamh NicGhabhann
title Writing Irish Art History
title_short Writing Irish Art History
title_full Writing Irish Art History
title_fullStr Writing Irish Art History
title_full_unstemmed Writing Irish Art History
title_sort writing irish art history
publisher Department of Art History, University of Birmingham
series Journal of Art Historiography
issn 2042-4752
publishDate 2011-12-01
description This is a short report on two events which addressed the critical historiography of Irish art, architecture and material culture, both titled ‘Writing Irish Art History’. The first was a student-led research day, with papers which challenged received strategies in the writing of Irish art, and included keynote addresses by both Professor Tom Dunne and Dr. Róisín Kennedy, and a performance by Dr. Nicholas Johnson and Nathan Gordon adapted from Samuel Beckett’s Three Dialogues from Georges Duthuit. The second event reviewed here was a session at the 2011 Association of Art Historians’ Annual Conference at Warwick, which brought together several scholars who contributed close readings of individual key texts and documents towards a critical investigation of the historiography of Irish art, and queried the categories of Irish art and its institutional implications. These events are placed in the context of the absence or presence of the debate on historiographical practices relating to Irish art history over the past decade.
topic Irish art
Ireland
TRIARC
Association of Art Historians
Circa
historiography
review
url http://arthistoriography.files.wordpress.com/2011/12/nicghabhann.pdf
work_keys_str_mv AT niamhnicghabhann writingirisharthistory
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