Discours moral et discours musical : le thème de la vanité dans la musique de l’Italie post-tridentine
A phenomenon analogous to the case of painting, the theme of vanity entered the field of music in the sixteenth and seventeenth centuries, materializing in a large corpus of vocal pieces, which have remained, however, overlooked by critics. Analyzing the representative vanity pieces in the Italian r...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2012-09-01
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| Series: | Etudes Epistémè |
| Online Access: | http://journals.openedition.org/episteme/367 |