Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier

The campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrate...

Full description

Bibliographic Details
Main Author: Yvon Comte
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-07-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/14748
id doaj-ea649b789f6a4895b26cc75d5b2b7ec2
record_format Article
spelling doaj-ea649b789f6a4895b26cc75d5b2b7ec22020-11-25T01:10:18ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052017-07-013210.4000/insitu.14748Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de MontpellierYvon ComteThe campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrated architect from Marseille. He worked there together with the project architects Jean-Claude Deshons and Philippe Jaulmes, from Montpellier. For the Faculty of Letters and Humanities, these last two architects evolved towards more aesthetic solutions integrating artistic creation (the artistic 1 %), associating architects and artists. Previously, Egger had collaborated with the kinetic Op art artist Victor Vasarely, whose work is beautifully illustrated at Montpellier by the great entrance railing of the campus. Other local artists intervened too in this programme, such as Albert Dupin with his so called ‘cyclopean wall’ designed for the Art and Archaeology Museum.http://journals.openedition.org/insitu/14748René EggerJean-Claude DeshonsPhilippe JaulmesVictor VasarelyAlbert DupinRobert Pillods
collection DOAJ
language fra
format Article
sources DOAJ
author Yvon Comte
spellingShingle Yvon Comte
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
In Situ : Revue de Patrimoines
René Egger
Jean-Claude Deshons
Philippe Jaulmes
Victor Vasarely
Albert Dupin
Robert Pillods
author_facet Yvon Comte
author_sort Yvon Comte
title Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
title_short Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
title_full Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
title_fullStr Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
title_full_unstemmed Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
title_sort architectes et plasticiens dans la conception et la réalisation du campus de la faculté des lettres et sciences humaines de montpellier
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2017-07-01
description The campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrated architect from Marseille. He worked there together with the project architects Jean-Claude Deshons and Philippe Jaulmes, from Montpellier. For the Faculty of Letters and Humanities, these last two architects evolved towards more aesthetic solutions integrating artistic creation (the artistic 1 %), associating architects and artists. Previously, Egger had collaborated with the kinetic Op art artist Victor Vasarely, whose work is beautifully illustrated at Montpellier by the great entrance railing of the campus. Other local artists intervened too in this programme, such as Albert Dupin with his so called ‘cyclopean wall’ designed for the Art and Archaeology Museum.
topic René Egger
Jean-Claude Deshons
Philippe Jaulmes
Victor Vasarely
Albert Dupin
Robert Pillods
url http://journals.openedition.org/insitu/14748
work_keys_str_mv AT yvoncomte architectesetplasticiensdanslaconceptionetlarealisationducampusdelafacultedeslettresetscienceshumainesdemontpellier
_version_ 1725175614817697792