Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier
The campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrate...
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2017-07-01
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Series: | In Situ : Revue de Patrimoines |
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Online Access: | http://journals.openedition.org/insitu/14748 |
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doaj-ea649b789f6a4895b26cc75d5b2b7ec22020-11-25T01:10:18ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052017-07-013210.4000/insitu.14748Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de MontpellierYvon ComteThe campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrated architect from Marseille. He worked there together with the project architects Jean-Claude Deshons and Philippe Jaulmes, from Montpellier. For the Faculty of Letters and Humanities, these last two architects evolved towards more aesthetic solutions integrating artistic creation (the artistic 1 %), associating architects and artists. Previously, Egger had collaborated with the kinetic Op art artist Victor Vasarely, whose work is beautifully illustrated at Montpellier by the great entrance railing of the campus. Other local artists intervened too in this programme, such as Albert Dupin with his so called ‘cyclopean wall’ designed for the Art and Archaeology Museum.http://journals.openedition.org/insitu/14748René EggerJean-Claude DeshonsPhilippe JaulmesVictor VasarelyAlbert DupinRobert Pillods |
collection |
DOAJ |
language |
fra |
format |
Article |
sources |
DOAJ |
author |
Yvon Comte |
spellingShingle |
Yvon Comte Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier In Situ : Revue de Patrimoines René Egger Jean-Claude Deshons Philippe Jaulmes Victor Vasarely Albert Dupin Robert Pillods |
author_facet |
Yvon Comte |
author_sort |
Yvon Comte |
title |
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier |
title_short |
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier |
title_full |
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier |
title_fullStr |
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier |
title_full_unstemmed |
Architectes et plasticiens dans la conception et la réalisation du campus de la faculté des Lettres et Sciences humaines de Montpellier |
title_sort |
architectes et plasticiens dans la conception et la réalisation du campus de la faculté des lettres et sciences humaines de montpellier |
publisher |
Ministère de la Culture et de la Communication |
series |
In Situ : Revue de Patrimoines |
issn |
1630-7305 |
publishDate |
2017-07-01 |
description |
The campus of the Faculty of Letters and Humanities at today’s Paul-Valéry University-Montpellier III is the most successful creation amongst the Montpellier university buildings constructed during the 1960s. The campus originally included the Faculty of Science designed by René Egger, the celebrated architect from Marseille. He worked there together with the project architects Jean-Claude Deshons and Philippe Jaulmes, from Montpellier. For the Faculty of Letters and Humanities, these last two architects evolved towards more aesthetic solutions integrating artistic creation (the artistic 1 %), associating architects and artists. Previously, Egger had collaborated with the kinetic Op art artist Victor Vasarely, whose work is beautifully illustrated at Montpellier by the great entrance railing of the campus. Other local artists intervened too in this programme, such as Albert Dupin with his so called ‘cyclopean wall’ designed for the Art and Archaeology Museum. |
topic |
René Egger Jean-Claude Deshons Philippe Jaulmes Victor Vasarely Albert Dupin Robert Pillods |
url |
http://journals.openedition.org/insitu/14748 |
work_keys_str_mv |
AT yvoncomte architectesetplasticiensdanslaconceptionetlarealisationducampusdelafacultedeslettresetscienceshumainesdemontpellier |
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