Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani

In the last decade I have been moved by three questions that I would like to share in this essay: Is perception a cognitive action? Can a body movement be considered a concept? Can we recognize performance practice as an operator of destabilization of other artistic languages (dance, theater, films,...

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Main Author: Christine Greiner
Format: Article
Language:Italian
Published: University of Bologna 2014-12-01
Series:Danza e Ricerca
Online Access:http://danzaericerca.unibo.it/article/view/4700
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spelling doaj-e9dae49ba20247ca9fb93f92c6004a1a2020-11-25T00:46:13ZitaUniversity of BolognaDanza e Ricerca2036-15992014-12-012014575954307Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasilianiChristine Greiner0Università Cattolica di San PaoloIn the last decade I have been moved by three questions that I would like to share in this essay: Is perception a cognitive action? Can a body movement be considered a concept? Can we recognize performance practice as an operator of destabilization of other artistic languages (dance, theater, films, literature etc.)? To deepen some of these ideas I will give some practical examples.http://danzaericerca.unibo.it/article/view/4700
collection DOAJ
language Italian
format Article
sources DOAJ
author Christine Greiner
spellingShingle Christine Greiner
Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
Danza e Ricerca
author_facet Christine Greiner
author_sort Christine Greiner
title Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
title_short Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
title_full Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
title_fullStr Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
title_full_unstemmed Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
title_sort un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani
publisher University of Bologna
series Danza e Ricerca
issn 2036-1599
publishDate 2014-12-01
description In the last decade I have been moved by three questions that I would like to share in this essay: Is perception a cognitive action? Can a body movement be considered a concept? Can we recognize performance practice as an operator of destabilization of other artistic languages (dance, theater, films, literature etc.)? To deepen some of these ideas I will give some practical examples.
url http://danzaericerca.unibo.it/article/view/4700
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