The Promise of Lost (About Season 2)

This essay deals with the themes of the leap of faith, the ritual and the sacrifice in the television show Lost, concentrating mainly on season 2. It questions Lost’s promise to spectator as far as narration is concerned. This promise seems to be paradoxical: the story requires the viewer to be susp...

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Bibliographic Details
Main Author: Guillaume Dulong
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2020-12-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/4963
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spelling doaj-e93accdec43d4209906e026ce041f85a2020-12-08T11:26:48ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092020-12-01110.4000/tvseries.4963The Promise of Lost (About Season 2)Guillaume DulongThis essay deals with the themes of the leap of faith, the ritual and the sacrifice in the television show Lost, concentrating mainly on season 2. It questions Lost’s promise to spectator as far as narration is concerned. This promise seems to be paradoxical: the story requires the viewer to be suspicious and even to distrust what s/he sees. Our work examines the Swan Station apparatus and the opposition between belief and knowledge which is reflected in the antagonism between Jack Sheppard and John Locke and finds a solution in the sacrifice of Desmond Hume. The essay analyses the episodes “Man of science, Man of faith” (S02E01), “?” (S02E21) and “Live together, Die alone” (S02E23-24). The first episode is interpreted in relation to Kierkegaard’s works to show that belief and knowledge are two phases before a character’s leap of faith, which consists in being open to others. However, the repetition of this leap is problematic; the second episode is understood as a focalisation on the despair of one character, Locke, who gives us a reflexion on the way to look at the TV show as an undecidable oscillation between distrust and trust, i.e. between the Pearl and the Swan. The third one, compared with David Hume’s writings and to Star Trek II: The Wrath of Kahn, allows to reveal the solution offered by the show, which would be self-sacrifice, mainly the sacrifice of one’s own pride, evident in Desmond and Penelope’s relationship.http://journals.openedition.org/tvseries/4963Lostsuspension of disbeliefskepticismleap of faithsacrificerepetition
collection DOAJ
language English
format Article
sources DOAJ
author Guillaume Dulong
spellingShingle Guillaume Dulong
The Promise of Lost (About Season 2)
TV Series
Lost
suspension of disbelief
skepticism
leap of faith
sacrifice
repetition
author_facet Guillaume Dulong
author_sort Guillaume Dulong
title The Promise of Lost (About Season 2)
title_short The Promise of Lost (About Season 2)
title_full The Promise of Lost (About Season 2)
title_fullStr The Promise of Lost (About Season 2)
title_full_unstemmed The Promise of Lost (About Season 2)
title_sort promise of lost (about season 2)
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2020-12-01
description This essay deals with the themes of the leap of faith, the ritual and the sacrifice in the television show Lost, concentrating mainly on season 2. It questions Lost’s promise to spectator as far as narration is concerned. This promise seems to be paradoxical: the story requires the viewer to be suspicious and even to distrust what s/he sees. Our work examines the Swan Station apparatus and the opposition between belief and knowledge which is reflected in the antagonism between Jack Sheppard and John Locke and finds a solution in the sacrifice of Desmond Hume. The essay analyses the episodes “Man of science, Man of faith” (S02E01), “?” (S02E21) and “Live together, Die alone” (S02E23-24). The first episode is interpreted in relation to Kierkegaard’s works to show that belief and knowledge are two phases before a character’s leap of faith, which consists in being open to others. However, the repetition of this leap is problematic; the second episode is understood as a focalisation on the despair of one character, Locke, who gives us a reflexion on the way to look at the TV show as an undecidable oscillation between distrust and trust, i.e. between the Pearl and the Swan. The third one, compared with David Hume’s writings and to Star Trek II: The Wrath of Kahn, allows to reveal the solution offered by the show, which would be self-sacrifice, mainly the sacrifice of one’s own pride, evident in Desmond and Penelope’s relationship.
topic Lost
suspension of disbelief
skepticism
leap of faith
sacrifice
repetition
url http://journals.openedition.org/tvseries/4963
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