Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai

This paper analyses Kiran Desai’s Hullabaloo in the Guava Orchard (1996) from an ecocritical perspective, with the aim to highlight that contemporary Indian narratives in English still honour a conceptualisation of nature as a place in which one can find peaceful and spiritual solace and retreat. M...

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Main Author: Carmen Escobedo de Tapia
Format: Article
Language:English
Published: Universidad de Valladolid 2018-12-01
Series:ES Review
Subjects:
Online Access:https://revistas.uva.es/index.php/esreview/article/view/2428
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spelling doaj-e917fc98c15c46a19d4a0dd0adc5d2972020-11-25T01:46:58ZengUniversidad de ValladolidES Review2531-16462531-16542018-12-013910.24197/ersjes.39.2018.173-192Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran DesaiCarmen Escobedo de Tapia0University of Oviedo This paper analyses Kiran Desai’s Hullabaloo in the Guava Orchard (1996) from an ecocritical perspective, with the aim to highlight that contemporary Indian narratives in English still honour a conceptualisation of nature as a place in which one can find peaceful and spiritual solace and retreat. Moreover, Desai presents in this novel the themes of identity and alienation closely linked to the natural environment, which justifies an ecocritical reading of the novel in the light of concepts like “place,” “dwelling,” and “thinking” as explained by Heidegger (“Building Dwelling Thinking”). These become especially illustrated in the development of the main character, Sampath Chawla, who searches for his genuine identity in the midst of the hullabaloo caused by the clash between tradition and modernity, the local and the global in the postcolonial microcosm of Shahkot, a small northern Indian village. This analysis, therefore, proves how the aforementioned Heideggerian concepts become especially relevant when it comes to identifying what we think ("thinking”) and, most specifically, what we are (“being”) as related to the natural environment, which fully justifies an ecocritical lens. https://revistas.uva.es/index.php/esreview/article/view/2428GlobalisationglocalisationIndian literature in Englishecocriticismintellectual transformation
collection DOAJ
language English
format Article
sources DOAJ
author Carmen Escobedo de Tapia
spellingShingle Carmen Escobedo de Tapia
Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
ES Review
Globalisation
glocalisation
Indian literature in English
ecocriticism
intellectual transformation
author_facet Carmen Escobedo de Tapia
author_sort Carmen Escobedo de Tapia
title Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
title_short Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
title_full Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
title_fullStr Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
title_full_unstemmed Searching for an Environmental Identity: Hullabaloo in the Guava Orchard (1996) by Kiran Desai
title_sort searching for an environmental identity: hullabaloo in the guava orchard (1996) by kiran desai
publisher Universidad de Valladolid
series ES Review
issn 2531-1646
2531-1654
publishDate 2018-12-01
description This paper analyses Kiran Desai’s Hullabaloo in the Guava Orchard (1996) from an ecocritical perspective, with the aim to highlight that contemporary Indian narratives in English still honour a conceptualisation of nature as a place in which one can find peaceful and spiritual solace and retreat. Moreover, Desai presents in this novel the themes of identity and alienation closely linked to the natural environment, which justifies an ecocritical reading of the novel in the light of concepts like “place,” “dwelling,” and “thinking” as explained by Heidegger (“Building Dwelling Thinking”). These become especially illustrated in the development of the main character, Sampath Chawla, who searches for his genuine identity in the midst of the hullabaloo caused by the clash between tradition and modernity, the local and the global in the postcolonial microcosm of Shahkot, a small northern Indian village. This analysis, therefore, proves how the aforementioned Heideggerian concepts become especially relevant when it comes to identifying what we think ("thinking”) and, most specifically, what we are (“being”) as related to the natural environment, which fully justifies an ecocritical lens.
topic Globalisation
glocalisation
Indian literature in English
ecocriticism
intellectual transformation
url https://revistas.uva.es/index.php/esreview/article/view/2428
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