The principle of laughter in Byelorussian vocal culture as a form of reflection on images of the world

This paper considers particular ways of organizing musical material in songs connected with the culture of laughter, as well as the coordination and interaction of different artistic spheres in this group of traditional Belarus song forms. Our long standing, complex ethno-musicological rese...

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Bibliographic Details
Main Author: Tawlai Galina V.
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2014-01-01
Series:Muzikologija
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/1450-9814/2014/1450-98141417107T.pdf
Description
Summary:This paper considers particular ways of organizing musical material in songs connected with the culture of laughter, as well as the coordination and interaction of different artistic spheres in this group of traditional Belarus song forms. Our long standing, complex ethno-musicological research, constant documentations of our own field work, comparison of ritual songs’ stylistics with their respective cognitive methods, together with observations and generalizations made by the real exponents of traditional Belarus song have given us the possibility to hear and recognize this strict, logically-adjusted selection of forms of musical expressiveness among folk melodies.
ISSN:1450-9814