Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models

<p/> <p>The application of inverse filtering techniques for high-quality singing voice analysis/synthesis is discussed. In the context of source-filter models, inverse filtering provides a noninvasive method to extract the voice source, and thus to study voice quality. Although this appr...

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Main Authors: Arroabarren Ixone, Carlosena Alfonso
Format: Article
Language:English
Published: SpringerOpen 2004-01-01
Series:EURASIP Journal on Advances in Signal Processing
Subjects:
Online Access:http://dx.doi.org/10.1155/S1110865704401127
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spelling doaj-e84a1bc7f8d7489088dd0b596e04d8a22020-11-25T00:24:55ZengSpringerOpenEURASIP Journal on Advances in Signal Processing1687-61721687-61802004-01-0120047720342Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal ModelsArroabarren IxoneCarlosena Alfonso<p/> <p>The application of inverse filtering techniques for high-quality singing voice analysis/synthesis is discussed. In the context of source-filter models, inverse filtering provides a noninvasive method to extract the voice source, and thus to study voice quality. Although this approach is widely used in speech synthesis, this is not the case in singing voice. Several studies have proved that inverse filtering techniques fail in the case of singing voice, the reasons being unclear. In order to shed light on this problem, we will consider here an additional feature of singing voice, not present in speech: the <it>vibrato</it>. Vibrato has been traditionally studied by sinusoidal modeling. As an alternative, we will introduce here a novel noninteractive source filter model that incorporates the mechanisms of vibrato generation. This model will also allow the comparison of the results produced by inverse filtering techniques and by sinusoidal modeling, as they apply to singing voice and not to speech. In this way, the limitations of these conventional techniques, described in previous literature, will be explained. Both synthetic signals and singer recordings are used to validate and compare the techniques presented in the paper.</p>http://dx.doi.org/10.1155/S1110865704401127voice qualitysource-filter modelinverse filteringsinging voicevibratosinusoidal model
collection DOAJ
language English
format Article
sources DOAJ
author Arroabarren Ixone
Carlosena Alfonso
spellingShingle Arroabarren Ixone
Carlosena Alfonso
Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
EURASIP Journal on Advances in Signal Processing
voice quality
source-filter model
inverse filtering
singing voice
vibrato
sinusoidal model
author_facet Arroabarren Ixone
Carlosena Alfonso
author_sort Arroabarren Ixone
title Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
title_short Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
title_full Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
title_fullStr Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
title_full_unstemmed Vibrato in Singing Voice: The Link between Source-Filter and Sinusoidal Models
title_sort vibrato in singing voice: the link between source-filter and sinusoidal models
publisher SpringerOpen
series EURASIP Journal on Advances in Signal Processing
issn 1687-6172
1687-6180
publishDate 2004-01-01
description <p/> <p>The application of inverse filtering techniques for high-quality singing voice analysis/synthesis is discussed. In the context of source-filter models, inverse filtering provides a noninvasive method to extract the voice source, and thus to study voice quality. Although this approach is widely used in speech synthesis, this is not the case in singing voice. Several studies have proved that inverse filtering techniques fail in the case of singing voice, the reasons being unclear. In order to shed light on this problem, we will consider here an additional feature of singing voice, not present in speech: the <it>vibrato</it>. Vibrato has been traditionally studied by sinusoidal modeling. As an alternative, we will introduce here a novel noninteractive source filter model that incorporates the mechanisms of vibrato generation. This model will also allow the comparison of the results produced by inverse filtering techniques and by sinusoidal modeling, as they apply to singing voice and not to speech. In this way, the limitations of these conventional techniques, described in previous literature, will be explained. Both synthetic signals and singer recordings are used to validate and compare the techniques presented in the paper.</p>
topic voice quality
source-filter model
inverse filtering
singing voice
vibrato
sinusoidal model
url http://dx.doi.org/10.1155/S1110865704401127
work_keys_str_mv AT arroabarrenixone vibratoinsingingvoicethelinkbetweensourcefilterandsinusoidalmodels
AT carlosenaalfonso vibratoinsingingvoicethelinkbetweensourcefilterandsinusoidalmodels
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