Alteridad y paisaje urbano en El club de la lucha de David Fincher y El hombre duplicado de José Saramago

This paper examines both texts (cinematographic and literary) cited in the title, analysing the mechanism through which Fincher-Palahniuk and Saramago employ alterity’s theme in order to build or to destroy the main character, placed himself in a urban postmodern environment.

Bibliographic Details
Main Author: Pilar Andrade Boué
Format: Article
Language:Catalan
Published: Universidad Complutense de Madrid 2011-03-01
Series:Revista de Filología Románica
Subjects:
Online Access:http://revistas.ucm.es/index.php/RFRM/article/view/10149

Similar Items