Alteridad y paisaje urbano en El club de la lucha de David Fincher y El hombre duplicado de José Saramago
This paper examines both texts (cinematographic and literary) cited in the title, analysing the mechanism through which Fincher-Palahniuk and Saramago employ alterity’s theme in order to build or to destroy the main character, placed himself in a urban postmodern environment.
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| Format: | Article |
| Language: | Catalan |
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Universidad Complutense de Madrid
2011-03-01
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| Series: | Revista de Filología Románica |
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| Online Access: | http://revistas.ucm.es/index.php/RFRM/article/view/10149 |
| Summary: | This paper examines both texts (cinematographic and literary) cited in the title, analysing the mechanism through which Fincher-Palahniuk and Saramago employ alterity’s theme in order to build or to destroy the main character, placed himself in a urban postmodern environment. |
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| ISSN: | 0212-999X 1988-2815 |