Appropriation of Symbol as Disclosure of the World of the Play in Tennessee Williams’s “The Glass Menagerie”
This paper examines the symbol as a key to understanding the world of Tennessee Williams’s play The Glass Menagerie (1945) within the frame of hermeneutics offered by Paul Ricoeur. Various conceptions of the symbol are presented, and the impact of religion upon the playwright’s drama is discussed....
Main Authors: | , |
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Format: | Article |
Language: | English |
Published: |
Vilnius University
2013-04-01
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Series: | Respectus Philologicus |
Subjects: | |
Online Access: | http://www.zurnalai.vu.lt/respectus-philologicus/article/view/13842 |