A Constructed Situation and a Cotton Banner

In 2009, British artist Jeremy Deller’s work It Is What It Is: Conversations About Iraq entered the permanent collections of three US museums. It is described by the collecting institutions as a “constructed situation and cotton banner.” Curatorial research intended to address questions about its fu...

Full description

Bibliographic Details
Main Author: Joey Orr
Format: Article
Language:English
Published: University of Gothenburg 2021-08-01
Series:Parse Journal
Subjects:
Online Access:https://parsejournal.com/article/a-constructed-situation-and-a-cotton-banner/
id doaj-e7742953abd746b9a754d1980351f613
record_format Article
spelling doaj-e7742953abd746b9a754d1980351f6132021-09-08T09:02:18ZengUniversity of GothenburgParse Journal2002-05112002-09532021-08-01On the Question of Exhibition Part 213.2A Constructed Situation and a Cotton BannerJoey Orr0University of KansasIn 2009, British artist Jeremy Deller’s work It Is What It Is: Conversations About Iraq entered the permanent collections of three US museums. It is described by the collecting institutions as a “constructed situation and cotton banner.” Curatorial research intended to address questions about its future exhibition instead generated further questions about the banner’s condition and location, the status of the work’s material aspect, and the parameters of particular modes of dematerialized artwork more broadly. The analytical framework is based on notions of care and feminist contributions on the centrality of maintenance. This article posits that both material and immaterial aspects can remain at play in a work of social practice, and its operations exceed its exhibitionary phase.https://parsejournal.com/article/a-constructed-situation-and-a-cotton-banner/collectionsconstructed situationcontemporary artcuratorial researchdematerialized artexhibitioninstitutional critiquemuseum studiessocial practicetextiles
collection DOAJ
language English
format Article
sources DOAJ
author Joey Orr
spellingShingle Joey Orr
A Constructed Situation and a Cotton Banner
Parse Journal
collections
constructed situation
contemporary art
curatorial research
dematerialized art
exhibition
institutional critique
museum studies
social practice
textiles
author_facet Joey Orr
author_sort Joey Orr
title A Constructed Situation and a Cotton Banner
title_short A Constructed Situation and a Cotton Banner
title_full A Constructed Situation and a Cotton Banner
title_fullStr A Constructed Situation and a Cotton Banner
title_full_unstemmed A Constructed Situation and a Cotton Banner
title_sort constructed situation and a cotton banner
publisher University of Gothenburg
series Parse Journal
issn 2002-0511
2002-0953
publishDate 2021-08-01
description In 2009, British artist Jeremy Deller’s work It Is What It Is: Conversations About Iraq entered the permanent collections of three US museums. It is described by the collecting institutions as a “constructed situation and cotton banner.” Curatorial research intended to address questions about its future exhibition instead generated further questions about the banner’s condition and location, the status of the work’s material aspect, and the parameters of particular modes of dematerialized artwork more broadly. The analytical framework is based on notions of care and feminist contributions on the centrality of maintenance. This article posits that both material and immaterial aspects can remain at play in a work of social practice, and its operations exceed its exhibitionary phase.
topic collections
constructed situation
contemporary art
curatorial research
dematerialized art
exhibition
institutional critique
museum studies
social practice
textiles
url https://parsejournal.com/article/a-constructed-situation-and-a-cotton-banner/
work_keys_str_mv AT joeyorr aconstructedsituationandacottonbanner
AT joeyorr constructedsituationandacottonbanner
_version_ 1717762532637147136