Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample

This paper explores analytical and stylistic tools in the discourse of modernist literature as epitomized in three canonical works of three influential modernist literary figures: Virginia Woolf, T.S. Eliot and Samuel Beckett. The paper shows how, upon meditation on the lived reality of Europe in th...

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Main Author: Nasr-edine OUAHANI
Format: Article
Language:English
Published: Tawasul International Centre for Publishing, Research and Dialogue 2020-03-01
Series:International Journal of Language and Literary Studies
Subjects:
Online Access:https://ijlls.org/index.php/ijlls/article/view/124
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spelling doaj-e7551281ff104ea5a6e38f7a41e877cf2021-08-10T20:18:53ZengTawasul International Centre for Publishing, Research and DialogueInternational Journal of Language and Literary Studies2704-55282704-71562020-03-0121384710.36892/ijlls.v2i1.12476Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as SampleNasr-edine OUAHANI0Faculty of Letters and Human Sciences Ibn Tofail, KenitraThis paper explores analytical and stylistic tools in the discourse of modernist literature as epitomized in three canonical works of three influential modernist literary figures: Virginia Woolf, T.S. Eliot and Samuel Beckett. The paper shows how, upon meditation on the lived reality of Europe in the second half of the nineteenth century and the first half of the twentieth century, modernist literature writers resort to fragmented language, mythical usages, and nonlinear structures to respond to the much ravaging and grotesque events witnessed by the world in general and Europe in particular in this epoch. Reflecting the compartmentalized and Balkanized reality of the world through its dazzling stylistic and figurative innovations, modernist literature sought to shock audiences, to lead bare the inconsistency of the human condition. This goes in parallel with an emerging philosophy that turned conventions upside down in different domains: ethics and morals, religion, history, economy, politics, aesthetics, arts, and language among others.https://ijlls.org/index.php/ijlls/article/view/124keywords: language, modernist literature, structure, style
collection DOAJ
language English
format Article
sources DOAJ
author Nasr-edine OUAHANI
spellingShingle Nasr-edine OUAHANI
Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
International Journal of Language and Literary Studies
keywords: language, modernist literature, structure, style
author_facet Nasr-edine OUAHANI
author_sort Nasr-edine OUAHANI
title Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
title_short Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
title_full Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
title_fullStr Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
title_full_unstemmed Aesthetics of Modernist Literature: a Style Analysis of Three Texts from T. S. Eliot, S. Beckett and V. Woolf´s Writings as Sample
title_sort aesthetics of modernist literature: a style analysis of three texts from t. s. eliot, s. beckett and v. woolf´s writings as sample
publisher Tawasul International Centre for Publishing, Research and Dialogue
series International Journal of Language and Literary Studies
issn 2704-5528
2704-7156
publishDate 2020-03-01
description This paper explores analytical and stylistic tools in the discourse of modernist literature as epitomized in three canonical works of three influential modernist literary figures: Virginia Woolf, T.S. Eliot and Samuel Beckett. The paper shows how, upon meditation on the lived reality of Europe in the second half of the nineteenth century and the first half of the twentieth century, modernist literature writers resort to fragmented language, mythical usages, and nonlinear structures to respond to the much ravaging and grotesque events witnessed by the world in general and Europe in particular in this epoch. Reflecting the compartmentalized and Balkanized reality of the world through its dazzling stylistic and figurative innovations, modernist literature sought to shock audiences, to lead bare the inconsistency of the human condition. This goes in parallel with an emerging philosophy that turned conventions upside down in different domains: ethics and morals, religion, history, economy, politics, aesthetics, arts, and language among others.
topic keywords: language, modernist literature, structure, style
url https://ijlls.org/index.php/ijlls/article/view/124
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