‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit

Ali Smith’s Autumn (2016) inaugurated what was soon to be termed defined as ‘Brexlit’. Turning to Smith’s text and other post-brexit productions, among which Carol Ann Duffy and Rufus Norris’ My Country: A Work in Progress (2017), and Brexit Shorts: Dramas from a Divided Nation (2017), we examine ho...

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Main Author: Catherine Bernard
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2019-12-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/7401
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spelling doaj-e70487310d9d426fbaebe6ac428385102020-11-25T01:29:39ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172019-12-0157‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after BrexitCatherine BernardAli Smith’s Autumn (2016) inaugurated what was soon to be termed defined as ‘Brexlit’. Turning to Smith’s text and other post-brexit productions, among which Carol Ann Duffy and Rufus Norris’ My Country: A Work in Progress (2017), and Brexit Shorts: Dramas from a Divided Nation (2017), we examine how fiction and recent drama self-reflexively explore the (un)making of a nation. At stake is the capacity of literature to act as a fully demotic medium, as the relay of a conflicted sense of identity. Some of the most controversial and complex notions—people, community, communitas—elaborated to think democracy are here put to the test. Now, these works seem to imply, is also the time to rework one of the most influential and powerful allegories of the common in Britain’s history: that of the body politic. Reflecting on the re-embodiment of the allegory in an age of doubt, we show how these fictions ponder the political empiricism of the embodied allegory and how such an embodied allegory may offer a fruitful inflection of the mimetic pact.http://journals.openedition.org/ebc/7401BrexlitBrexitSmith (Ali)Duffy (Carol Ann)body politiccommunity
collection DOAJ
language English
format Article
sources DOAJ
author Catherine Bernard
spellingShingle Catherine Bernard
‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
Études Britanniques Contemporaines
Brexlit
Brexit
Smith (Ali)
Duffy (Carol Ann)
body politic
community
author_facet Catherine Bernard
author_sort Catherine Bernard
title ‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
title_short ‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
title_full ‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
title_fullStr ‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
title_full_unstemmed ‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit
title_sort ‘it was the worst of times, it was the worst of times. again’: representing the body politic after brexit
publisher Presses Universitaires de la Méditerranée
series Études Britanniques Contemporaines
issn 1168-4917
publishDate 2019-12-01
description Ali Smith’s Autumn (2016) inaugurated what was soon to be termed defined as ‘Brexlit’. Turning to Smith’s text and other post-brexit productions, among which Carol Ann Duffy and Rufus Norris’ My Country: A Work in Progress (2017), and Brexit Shorts: Dramas from a Divided Nation (2017), we examine how fiction and recent drama self-reflexively explore the (un)making of a nation. At stake is the capacity of literature to act as a fully demotic medium, as the relay of a conflicted sense of identity. Some of the most controversial and complex notions—people, community, communitas—elaborated to think democracy are here put to the test. Now, these works seem to imply, is also the time to rework one of the most influential and powerful allegories of the common in Britain’s history: that of the body politic. Reflecting on the re-embodiment of the allegory in an age of doubt, we show how these fictions ponder the political empiricism of the embodied allegory and how such an embodied allegory may offer a fruitful inflection of the mimetic pact.
topic Brexlit
Brexit
Smith (Ali)
Duffy (Carol Ann)
body politic
community
url http://journals.openedition.org/ebc/7401
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