Ieri come oggi, oggi come domani: la dimensione temporale e linguistica in Finale di partita di Samuel Beckett
Endgame (1957), considered by many as Samuel Beckett’s major work, stands out as a “terminal” play, a play in which the characters live in an absolute present, devoid of any idea of future and completely disconnected from the world of memories, which are so far away as to seem mere hallucinations....
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2016-07-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/7426 |