Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art

This paper seeks to explore an important characteristic of both traditional and contemporary Chinese art, that is, co-creativity. The author believes that co-creativity is a particular Chinese cultural sensibility that establishes the continuity of Chinese art and allows it to endure despite histori...

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Main Author: JINLI HE
Format: Article
Language:English
Published: Open Library of Humanities 2014-06-01
Series:The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
Subjects:
Online Access:http://www.asianetworkexchange.org/articles/112
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spelling doaj-e510ceb399d448c49abd8905000e75df2020-11-24T20:40:22ZengOpen Library of HumanitiesThe ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts1943-99381943-99462014-06-01212152310.16995/ane.11260Continuity and Evolution: The Idea of “Co-creativity” in Chinese ArtJINLI HE0Trinity UniversityThis paper seeks to explore an important characteristic of both traditional and contemporary Chinese art, that is, co-creativity. The author believes that co-creativity is a particular Chinese cultural sensibility that establishes the continuity of Chinese art and allows it to endure despite historical, societal and political changes throughout the centuries. This paper starts with an introduction of the idea of co-creativity in Chinese culture. One of its embodiments is the relationship between 'yin' and 'yang'. 'Yin 'and 'yang' both engender and fulfill each other, which is a co-relational and co-creative process. It then analyzes how the idea of co-creativity is demonstrated in traditional landscape painting through the expression of the oneness with nature and invitation to join a journey with the artist. Lastly, it demonstrates this continious co-creative cultural sensibility through analyzing two contemporary artists’ works. The author reads the submissive openness and vulnerability in Chinese female artist Chen Lingyang’s works as a continuity of the co-creative spirit of 'yin' and 'yang', nature and human. Chen’s work, rooted in her cultural sensibility, expresses a totally different statement of women’s desires and conditions than does that of American feminist artists Judy Chicago and Carolee Schneemann. Likewise, performance artist Ma Liuming’s 'Fen-Ma Liuming in… 'series seems inspired by nature’s image of co-creating the world. Different as these works may be in their formal aspects—from painting to poetry, from photography to performance— “co-creativity” is at the heart of Chinese cultural expression.http://www.asianetworkexchange.org/articles/112co-creativity, cultural sensibility, landscape painting, Chen Lingyang, Ma Liuming, feminism
collection DOAJ
language English
format Article
sources DOAJ
author JINLI HE
spellingShingle JINLI HE
Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
co-creativity, cultural sensibility, landscape painting, Chen Lingyang, Ma Liuming, feminism
author_facet JINLI HE
author_sort JINLI HE
title Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
title_short Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
title_full Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
title_fullStr Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
title_full_unstemmed Continuity and Evolution: The Idea of “Co-creativity” in Chinese Art
title_sort continuity and evolution: the idea of “co-creativity” in chinese art
publisher Open Library of Humanities
series The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
issn 1943-9938
1943-9946
publishDate 2014-06-01
description This paper seeks to explore an important characteristic of both traditional and contemporary Chinese art, that is, co-creativity. The author believes that co-creativity is a particular Chinese cultural sensibility that establishes the continuity of Chinese art and allows it to endure despite historical, societal and political changes throughout the centuries. This paper starts with an introduction of the idea of co-creativity in Chinese culture. One of its embodiments is the relationship between 'yin' and 'yang'. 'Yin 'and 'yang' both engender and fulfill each other, which is a co-relational and co-creative process. It then analyzes how the idea of co-creativity is demonstrated in traditional landscape painting through the expression of the oneness with nature and invitation to join a journey with the artist. Lastly, it demonstrates this continious co-creative cultural sensibility through analyzing two contemporary artists’ works. The author reads the submissive openness and vulnerability in Chinese female artist Chen Lingyang’s works as a continuity of the co-creative spirit of 'yin' and 'yang', nature and human. Chen’s work, rooted in her cultural sensibility, expresses a totally different statement of women’s desires and conditions than does that of American feminist artists Judy Chicago and Carolee Schneemann. Likewise, performance artist Ma Liuming’s 'Fen-Ma Liuming in… 'series seems inspired by nature’s image of co-creating the world. Different as these works may be in their formal aspects—from painting to poetry, from photography to performance— “co-creativity” is at the heart of Chinese cultural expression.
topic co-creativity, cultural sensibility, landscape painting, Chen Lingyang, Ma Liuming, feminism
url http://www.asianetworkexchange.org/articles/112
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