Flow as a mechanism of change in music therapy: Applications to clinical practice

Due to the creative and purposeful applications of music in a therapeutic context, music therapists may be uniquely able to foster flow-based experiences for the people who access their services – herein “users”. As flow has been linked with a number of positive factors, it may be ideal for encourag...

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Main Authors: Michael J. Silverman, Felicity A. Baker
Format: Article
Language:ell
Published: Approaches 2018-10-01
Series:Approaches: An Interdisciplinary Journal of Music Therapy
Subjects:
Online Access:http://approaches.gr/silverman-a20161127/
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spelling doaj-e500cfb00927419b9f7969e5205b51392020-11-25T04:01:06ZellApproachesApproaches: An Interdisciplinary Journal of Music Therapy2459-33382018-10-011014351Flow as a mechanism of change in music therapy: Applications to clinical practiceMichael J. SilvermanFelicity A. BakerDue to the creative and purposeful applications of music in a therapeutic context, music therapists may be uniquely able to foster flow-based experiences for the people who access their services – herein “users”. As flow has been linked with a number of positive factors, it may be ideal for encouraging and enhancing learning and therapeutic encounters during music therapy. The purpose of this paper is to describe flow and provide contextualisation of flow in music therapy clinical practice and as a possible mechanism of change that might explain outcomes observed in research with users. To integrate the flow-based literature into music therapy research, we discuss flow in receptive and active music therapy interventions and applications of flow in clinical practice and research. We propose flow as a bi-directional construct in music therapy and, based upon the person-activity fit model, offer a figure integrating skill of the therapist with the challenge of the intervention in an attempt to enhance music therapy education and clinical practice. Moreover, flow may represent a positively framed and less invasive method for measuring users’ perceptions of the therapeutic outcomes. Future research utilising all paradigms is warranted to best understand this concept and resultant therapeutic implications.http://approaches.gr/silverman-a20161127/flowmusic therapyoptimal experiencesperson-activity fitsongwriting; mechanismchange
collection DOAJ
language ell
format Article
sources DOAJ
author Michael J. Silverman
Felicity A. Baker
spellingShingle Michael J. Silverman
Felicity A. Baker
Flow as a mechanism of change in music therapy: Applications to clinical practice
Approaches: An Interdisciplinary Journal of Music Therapy
flow
music therapy
optimal experiences
person-activity fit
songwriting; mechanism
change
author_facet Michael J. Silverman
Felicity A. Baker
author_sort Michael J. Silverman
title Flow as a mechanism of change in music therapy: Applications to clinical practice
title_short Flow as a mechanism of change in music therapy: Applications to clinical practice
title_full Flow as a mechanism of change in music therapy: Applications to clinical practice
title_fullStr Flow as a mechanism of change in music therapy: Applications to clinical practice
title_full_unstemmed Flow as a mechanism of change in music therapy: Applications to clinical practice
title_sort flow as a mechanism of change in music therapy: applications to clinical practice
publisher Approaches
series Approaches: An Interdisciplinary Journal of Music Therapy
issn 2459-3338
publishDate 2018-10-01
description Due to the creative and purposeful applications of music in a therapeutic context, music therapists may be uniquely able to foster flow-based experiences for the people who access their services – herein “users”. As flow has been linked with a number of positive factors, it may be ideal for encouraging and enhancing learning and therapeutic encounters during music therapy. The purpose of this paper is to describe flow and provide contextualisation of flow in music therapy clinical practice and as a possible mechanism of change that might explain outcomes observed in research with users. To integrate the flow-based literature into music therapy research, we discuss flow in receptive and active music therapy interventions and applications of flow in clinical practice and research. We propose flow as a bi-directional construct in music therapy and, based upon the person-activity fit model, offer a figure integrating skill of the therapist with the challenge of the intervention in an attempt to enhance music therapy education and clinical practice. Moreover, flow may represent a positively framed and less invasive method for measuring users’ perceptions of the therapeutic outcomes. Future research utilising all paradigms is warranted to best understand this concept and resultant therapeutic implications.
topic flow
music therapy
optimal experiences
person-activity fit
songwriting; mechanism
change
url http://approaches.gr/silverman-a20161127/
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