The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”

The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”

The article studies the aesthetic theories of the French art of the middle of the XIX century through the interaction between literature and painting. In the novel “Manette Salomon” the Goncourt brothers formulate their innovative views of the ways of the development of art through the artists’ effo...

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Bibliographic Details
Main Author: N. Ya. Yatskiv
Format: Article
Language:English
Published: Vasyl Stefanyk Precarpathian National University 2016-12-01
Series:Journal of Vasyl Stefanyk Precarpathian National University
Subjects:
the discourse of painting, the character of a painter, innovation, individuality, talent, aesthetics
Online Access:http://journals.pnu.edu.ua/index.php/jpnu/article/view/1850
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spelling doaj-e4f21172f7e947b1aed4553b79844ad92020-11-24T21:27:38ZengVasyl Stefanyk Precarpathian National UniversityJournal of Vasyl Stefanyk Precarpathian National University2311-01552413-23492016-12-0134848910.15330/jpnu.3.4.84-891549The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”N. Ya. Yatskiv0Vasyl Stefanyk Precarpathian National UniversityThe article studies the aesthetic theories of the French art of the middle of the XIX century through the interaction between literature and painting. In the novel “Manette Salomon” the Goncourt brothers formulate their innovative views of the ways of the development of art through the artists’ efforts to express Beauty. The five painters, different in terms of talent and skill, express the writers’ pluralism in creating the aesthetic ideal. The writers are on the side of those who constantly strive for self-improvement, who do not approve of imitating reality but invent in constant creative torments new ways and techniques in order to express one’s own individual perception.http://journals.pnu.edu.ua/index.php/jpnu/article/view/1850the discourse of painting, the character of a painter, innovation, individuality, talent, aesthetics
collection DOAJ
language English
format Article
sources DOAJ
author N. Ya. Yatskiv
spellingShingle N. Ya. Yatskiv
The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
Journal of Vasyl Stefanyk Precarpathian National University
the discourse of painting, the character of a painter, innovation, individuality, talent, aesthetics
author_facet N. Ya. Yatskiv
author_sort N. Ya. Yatskiv
title The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
title_short The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
title_full The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
title_fullStr The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
title_full_unstemmed The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
title_sort pluralism of the artist’s image as a search of an aesthetic motto in the goncourt brothers’ novel “manette salomon”
publisher Vasyl Stefanyk Precarpathian National University
series Journal of Vasyl Stefanyk Precarpathian National University
issn 2311-0155
2413-2349
publishDate 2016-12-01
description The article studies the aesthetic theories of the French art of the middle of the XIX century through the interaction between literature and painting. In the novel “Manette Salomon” the Goncourt brothers formulate their innovative views of the ways of the development of art through the artists’ efforts to express Beauty. The five painters, different in terms of talent and skill, express the writers’ pluralism in creating the aesthetic ideal. The writers are on the side of those who constantly strive for self-improvement, who do not approve of imitating reality but invent in constant creative torments new ways and techniques in order to express one’s own individual perception.
topic the discourse of painting, the character of a painter, innovation, individuality, talent, aesthetics
url http://journals.pnu.edu.ua/index.php/jpnu/article/view/1850
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