Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)

This article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July...

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Main Author:	Anne Gjelsvik
Format:	Article
Language:	English
Published:	Taylor & Francis Group 2018-04-01
Series:	Journal of Aesthetics & Culture
Subjects:	Cinema terror guilt shame 22 July
Online Access:	http://dx.doi.org/10.1080/20004214.2018.1438731

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spelling	doaj-e44d122da1ed49c28557f58aea5f9a852020-11-25T01:26:17ZengTaylor & Francis GroupJournal of Aesthetics & Culture2000-42142018-04-0110010.1080/20004214.2018.14387311438731Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)Anne Gjelsvik0NTNUThis article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July and focus is on the role of the individual, the family and the society when it comes to guilt and shame following incomprehensible events.http://dx.doi.org/10.1080/20004214.2018.1438731Cinematerrorguiltshame22 July
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Anne Gjelsvik
spellingShingle	Anne Gjelsvik Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016) Journal of Aesthetics & Culture Cinema terror guilt shame 22 July
author_facet	Anne Gjelsvik
author_sort	Anne Gjelsvik
title	Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
title_short	Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
title_full	Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
title_fullStr	Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
title_full_unstemmed	Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
title_sort	outsiders and bystanders in erik skjoldbjærg’s the pyromaniac (2016)
publisher	Taylor & Francis Group
series	Journal of Aesthetics & Culture
issn	2000-4214
publishDate	2018-04-01
description	This article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July and focus is on the role of the individual, the family and the society when it comes to guilt and shame following incomprehensible events.
topic	Cinema terror guilt shame 22 July
url	http://dx.doi.org/10.1080/20004214.2018.1438731
work_keys_str_mv	AT annegjelsvik outsidersandbystandersinerikskjoldbjærgsthepyromaniac2016
_version_	1725109929111453696

Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)

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