Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings

This article explores the ways in which 19th-century paintings collected by Americans of Irish descent complement the official celebrations aimed at commemorating the Irish diaspora in the United States. It shows how these paintings are usually selected by art collectors for their authenticity, a qu...

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Main Author: Amelie Dochy
Format: Article
Language:English
Published: SAES 2019-04-01
Series:Angles
Subjects:
Online Access:http://journals.openedition.org/angles/678
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spelling doaj-e418b44d748f41d59cf373e4e011ea672020-11-25T03:40:40ZengSAESAngles2274-20422019-04-01810.4000/angles.678Commemorating the Irish Diaspora in the USA: The Role of 19th-century PaintingsAmelie DochyThis article explores the ways in which 19th-century paintings collected by Americans of Irish descent complement the official celebrations aimed at commemorating the Irish diaspora in the United States. It shows how these paintings are usually selected by art collectors for their authenticity, a quality often associated with artworks conveying stereotypes about Irishness as well as some nostalgia for the homeland. By exhibiting such images, an individual presents his own vision of the past and this private form of remembrance is likely to participate in the construction of a cultural identity in the collective imagination, especially when the collector lends his paintings to a public gallery. Thus, these pictorial symbols of Irishness may move from the private to the public sphere, so that they can enhance the sense national identity deriving from a commemoration organised by the state.http://journals.openedition.org/angles/678commemorationpaintingIrishnessprivate remembrancenational communitystereotypes
collection DOAJ
language English
format Article
sources DOAJ
author Amelie Dochy
spellingShingle Amelie Dochy
Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
Angles
commemoration
painting
Irishness
private remembrance
national community
stereotypes
author_facet Amelie Dochy
author_sort Amelie Dochy
title Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
title_short Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
title_full Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
title_fullStr Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
title_full_unstemmed Commemorating the Irish Diaspora in the USA: The Role of 19th-century Paintings
title_sort commemorating the irish diaspora in the usa: the role of 19th-century paintings
publisher SAES
series Angles
issn 2274-2042
publishDate 2019-04-01
description This article explores the ways in which 19th-century paintings collected by Americans of Irish descent complement the official celebrations aimed at commemorating the Irish diaspora in the United States. It shows how these paintings are usually selected by art collectors for their authenticity, a quality often associated with artworks conveying stereotypes about Irishness as well as some nostalgia for the homeland. By exhibiting such images, an individual presents his own vision of the past and this private form of remembrance is likely to participate in the construction of a cultural identity in the collective imagination, especially when the collector lends his paintings to a public gallery. Thus, these pictorial symbols of Irishness may move from the private to the public sphere, so that they can enhance the sense national identity deriving from a commemoration organised by the state.
topic commemoration
painting
Irishness
private remembrance
national community
stereotypes
url http://journals.openedition.org/angles/678
work_keys_str_mv AT ameliedochy commemoratingtheirishdiasporaintheusatheroleof19thcenturypaintings
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