Cutting Edges: Professional Hierarchy vs. Creative Identity in Nicolas de Launay’s Fine Art Prints
In 1783, Nicolas De Launay copied Les Baignets by Jean-Honoré Fragonard, stating it was made “by his very humble and very obedient servant”, an evidence of the hierarchical tensions between painters and printmakers during the eighteenth-century. However, De Launay’s loyalty is not absolute, since a...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-09-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/10/3/66 |